The esteem in which horses, especially war horses, were held in the centuries that immediately preceded the coming of Christ may to some extent be gathered from the prominence accorded to them when coins to be used as the circulating medium began to come into general vogue. Thus on the first of the Carthaginian coins—they were struck in the third century B.C.—we find represented a horse upon one side, a palm-tree upon the other, while on the coins of the important Sicilian settlement, Panormus, a horse is shown. I have tried to disentangle from a mass of only semi-trustworthy records the true origin of the well-known saying: “He has Seius' horse in his stable.” So far as one can ascertain, it is traceable to the fates of the various ill-starred owners of the horses of Gnæus Seius, from Seius down to Anthony. Plutarch says that the famous Philip II. loved to commemorate his Olympian victories by stamping the figure of a steed upon some of his coins, and certainly he was devoted both to horses and horse racing. We read too that between 359 and 336 B.C. he entered both chariots and riding horses for the Olympian competitions. [Illustration: GREEK COINS SHOWING HORSES IN THE EARLY CENTURIES BEFORE CHRIST _1, 3. Agrigentum. 2, 4, 5, 6, 7, 9. Syracuse. 8. Asia Minor and Greece. Philip of Macedon. 10. Hellenestic period. Hiero of Sicily_] Similarly a proportion of the Sicilian coinage bore the impression of a horse, and many of the great chariot races are commemorated on coins. Several of the Agrigentine coins, for instance, show a quadriga driven by winged Nike, in commemoration probably of the victory of Exænetus, while some of the coinage of Syracuse dating back so far as 500 B.C., and even earlier, represents a four-horse chariot upon the face of the tetradrachms, and, on the didrachms, a man riding one horse and leading another. Some of the drachms show merely a man mounted. Indeed we are told that Gela not only prided herself on her victories won on the race track, but upon what was, of course, of more importance—her splendid cavalry. A number of her coins represent a four-horse chariot, some a two-horse chariot, and occasionally a wounded foe being speared to death by a horseman, galloping or stationary. These coins probably are among the earliest of their kind ever struck. The most ancient of all representations of Sicilian horses, however, which serve to prove that the Sicilians were beyond doubt a horse-loving race, is the quadriga on one of the metopes of the archaic temple of Silenus, believed to have been founded in 628 B.C. While upon the subject of sculpture, casual reference must be made to the notorious Wooden Horse of Troy, described fully in Homer and alluded to centuries later by Virgil, the horse of which the famous sculptor, Strongylon, made a model in bronze towards probably the close of the fifth century.