The Horse-Stealers and Other StoriesChekhov, Anton Pavlovich
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The Horse-Stealers and Other Stories
Chekhov, Anton Pavlovich
Chekhov, Anton Pavlovich, 1860-1904 -- Translations into English; Russia -- Social life and customs -- Fiction
She looked at herself in the looking-glass, and tossed her head
several times to make the beads jingle. And then she opened a chest
and began taking out, first, a cotton dress with red and blue flowers
on it, and then a red one with flounces which rustled and crackled
like paper, then a new kerchief, dark blue, shot with many
colours--and all these things she showed and flung up her hands, laughing
as though astonished that she had such treasures.
Kalashnikov tuned the balalaika and began playing it, but Yergunov
could not make out what sort of song he was singing, and whether
it was gay or melancholy, because at one moment it was so mournful
he wanted to cry, and at the next it would be merry. Merik suddenly
jumped up and began tapping with his heels on the same spot, then,
brandishing his arms, he moved on his heels from the table to the
stove, from the stove to the chest, then he bounded up as though
he had been stung, clicked the heels of his boots together in the
air, and began going round and round in a crouching position. Lyubka
waved both her arms, uttered a desperate shriek, and followed him.
At first she moved sideways, like a snake, as though she wanted to
steal up to someone and strike him from behind. She tapped rapidly
with her bare heels as Merik had done with the heels of his boots,
then she turned round and round like a top and crouched down, and
her red dress was blown out like a bell. Merik, looking angrily at
her, and showing his teeth in a grin, flew towards her in the same
crouching posture as though he wanted to crush her with his terrible
legs, while she jumped up, flung back her head, and waving her arms
as a big bird does its wings, floated across the room scarcely
touching the floor. . . .
"What a flame of a girl!" thought Yergunov, sitting on the chest,
and from there watching the dance. "What fire! Give up everything
for her, and it would be too little . . . ."
And he regretted that he was a hospital assistant, and not a simple
peasant, that he wore a reefer coat and a chain with a gilt key on
it instead of a blue shirt with a cord tied round the waist. Then
he could boldly have sung, danced, flung both arms round Lyubka as
Merik did. . . .
The sharp tapping, shouts, and whoops set the crockery ringing in
the cupboard and the flame of the candle dancing.
The thread broke and the beads were scattered all over the floor,
the green kerchief slipped off, and Lyubka was transformed into a
red cloud flitting by and flashing black eyes, and it seemed as
though in another second Merik's arms and legs would drop off.
But finally Merik stamped for the last time, and stood still as
though turned to stone. Exhausted and almost breathless, Lyubka
sank on to his bosom and leaned against him as against a post, and
he put his arms round her, and looking into her eyes, said tenderly
and caressingly, as though in jest:
Public-domain text, read in full here on John Shaqi.
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