The Horses of the Sahara and the Manners of the DesertDaumas, E. (Eugène)
History
The Horses of the Sahara and the Manners of the Desert
Daumas, E. (Eugène)
Arabian horse; Sahara
A stranger presenting himself before a _douar_, stands some little way
off, and pronounces these words: _Dif rebi_—"a guest sent by Allah." The
effect is magical. Whatever may be his condition of life, they throw
themselves on him, tear him from one another, and hold his stirrup while
he alights. The servants lead away his horse, about whom, if he be a man
of good breeding, he will not give himself any further trouble. He
himself is almost dragged into a tent, and whatever is ready to hand is
set before him, until a banquet can be prepared. Nor is less attention
shown to a traveller on foot. The master of the tent keeps his guest
company throughout the whole of the day, and only leaves him to make way
for sleep. No indiscreet questions are ever asked, such as: Whence
comest thou? Who art thou? Whither goest thou? There is no instance of
any evil having ever befallen a stranger thus received as a guest, even
though he were a mortal enemy. At his departure, the master of the tent
will say to him: "Follow thy good fortune;" and after the guest has
fairly taken his departure, his entertainer is no longer answerable for
anything. In retiring from the hospitable repast, if the stranger pass
before a _douar_ and be seen, he is obliged again to accept the
invitations that are pressed upon him.
A certain class of men live entirely on alms and hospitality. These are
the dervishes. Absorbed in prayer, these pious individuals are the
object of universal veneration. "Beware of offering them an insult, for
Allah will punish you." A request made by them is never refused. By the
side of these mendicant monks, who so exactly reproduce a particular
feature of the Middle Ages, it seems appropriate to place the _tolbas_,
or learned men, and the "wise women," who fill in the Sahara the part
that belonged in the olden times to the magicians, alchemists, and
sorcerers, and those other impostors celebrated by Tasso and Ariosto,
and ridiculed by Cervantes. It is to these _tolbas_ and aged dames that
both men and women apply for a philter, composed of various herbs
prepared with solemn invocations and awesome or grotesque ceremonies,
which is mixed with the food of the swain or damsel whose love is longed
for. It is they, again, who write magic words and the name of the hated
one on a piece of paper and a dead man's bone taken from a cemetery, and
then bury together the paper and the bone, which will soon be joined by
the enemy, "with his belly full of worms." They will teach you, too, the
formula you must pronounce while closing your knife, in order to sever
the life of an odious rival; and that which you must throw into the
furnace over which is being cooked the food of the family you would
poison; and that which you must write on a copper plate, or flattened
ball, to be flung into the stream whither repairs to drink the woman on
whom you would avenge yourself—seized with a dysentery as rapid as the
river, she will die, if she do not yield herself up to you.
Public-domain text, read in full here on John Shaqi.
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