He made the sign of the cross over the dead body, rose to his feet
unsteadily, and looked about him, dazed, uncertain. In truth, he felt
all his years for the first time; felt that his last hold on life had
somehow gone from him in that kiss; that something more than one woman
lay dead before him.
Then the sight of Akbar Khân, still rocking himself backwards and
forwards, a perfect pendulum of protesting innocence and helpless
remorse, roused the old priest to the present. He took up the rapier he
had laid aside in crossing the chapel, and passed over to where the old
eunuch was bemoaning the high-handedness of fate. It was a tyranny,
indeed! Who could have foreseen such an ending to a very ordinary
intrigue? Who could even have dreamt of it? Had not men and women loved
and met, thus, since the beginning of time?
So, to the sinner's outraged experience of life and love came the saint
with his, and with the face and sword of St. Michael and All Angels.
"Tell me the truth," he said sternly; "and tell it quickly, for there
is no time to lose."
In truth there was not much to tell. It was all so simple, viewed as a
whole; so complex in detail. And, as he listened, the anger left Pidar
Narâyan's face wistful, wondering. More so than ever at the last
mumbling excuse.
"It all comes, _Ge-reeb-pun-wâz_, from the Almighty having made the
Missy-_baba_ so like her sainted ancestress--Anâri Begum--on whom be
peace."
Anâri Begum! On whom be peace! Her sainted ancestress, on whom be
peace!
He stood for an instant looking towards the Altar, towards the dead
girl; then he echoed under his breath, "On whom be peace!"
That was the end.
Peace on those women who had loved and died; and on the men who had
loved them--lived for them--perhaps died for them.
But for the rest who lived and loved still? A quick life seemed to come
back to him at the thought of these, a desire to save them from death.
"Follow me," he said briefly to the old retainer; "it must be close on
dawn--I must see what I can do."
Public-domain text, read in full here on John Shaqi.
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