There was no knob or ring by way of handle, but close to the edge, and
about half-way between top and bottom, I distinguished a diminutive
keyhole, outlined with shining metal. I let the curtain drop again,
though lingeringly. It could be only a cupboard, or a particularly
secure wine cellar, perhaps, behind this dwarfish door, yet had I
discovered it in a house not English, but of a country less
conventionally civilised than our own, I should have told myself that I
had chanced upon the clue to a secret.
There was still a fourth curtained space (the remaining half of the
octagons being of the sandal-wood), and this, as it happened, was
directly behind the draped easel.
I moved towards it, not intending to pry into Mr. Wildred's domestic
economies, but still bent on unearthing an electric bell if I could do
so, when my eyes fell upon the partially-covered picture.
It was but a pinky-white, uncovered shoulder that I could see, with a
glimpse of red-gold hair at such a distance above as to suggest a
massive knot at the back of a woman's head, seen in profile. There was a
fraction of fluffy tulle sleeve as well, revealing the outline of a
rounded, girlish arm, and though the face was hidden by the drapery, I
was as sure as if I had seen it, that should I push aside the curtain my
eyes would fall upon the counterfeit presentment of Karine Cunningham.
With half-extended hand I paused. The painting was so far covered, and
it was in another man's house. Had I a right to assure myself whether my
supposition were correct? As I hesitated my ears were startled by what I
can only describe as the beginning of a sound.
It was low and inarticulate, yet it seemed to me that it was uttered by
human lips. It commenced with a tremulous, vibrating noise, such as
might have been made by a man groaning with closed mouth and between set
teeth.
I started, and looked over my shoulder, so close did it seem, that I
could almost fancy it had proceeded from a corner of the room behind me.
Still it went on, monotonously, and then suddenly rose with
ever-increasing volume to a yell of utmost agony.
Never had I heard such a shriek, not even in battle, when men were
stabbed or shot, or blown to pieces. So horrible, so long-drawn was it,
that I found myself strangely awe-struck and appalled.
"Great heaven!" I exclaimed aloud, sure now that close at hand fire must
be raging, and have claimed some inmate of the house as its victim.
Though I knew not where to find the servant who had admitted me, or any
other person, I flung open the door through which I had come, and ran
down the passage leading towards the main part of the house. In through
the second and wider one I went, opening a door here and there, but
finding only darkness and emptiness beyond.
I reached the large entrance hall at last, and shouted loudly--"Here,
you! John, James!"--not knowing in the absence of the master and his
guest whom to call upon.
Public-domain text, read in full here on John Shaqi.
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