The House by the RiverHerbert, A. P. (Alan Patrick)
General
The House by the River
Herbert, A. P. (Alan Patrick)
London (England) -- Social life and customs -- 20th century -- Fiction; Murder -- Fiction; Poets -- Fiction
It was very badly managed. No doubt he should have hidden Emily away
before he opened the door; should have led up gradually to the ultimate
revelation; should have carefully prepared a man like Egerton for a
sight like the body of Emily Gaunt. For it was a coarse and terrible
sight. She lay on her back by the hat-stand, with her dark hair tumbled
on the floor, her face mottled and blue, her eyes gaping disgustingly,
her throat marked and inflamed with the fingers of her employer. The
coat of Cook was crumpled beneath her, and she had torn great rents in
her night-dress in her desperate resistance, so that she lay half-naked
in the cruel glare of the electric light. Her two plump legs were
crossed fantastically like the legs of a crusader, but so that the feet
were wide apart. Her pink flesh glistened and smelt powerfully of soap.
It was not the kind of thing to spring upon any man, least of all
should it have been sprung upon Egerton. For he was a highly sensitive
man and easily shocked. He had not been, like Stephen, to the war--being
a Civil Servant and imperfect in the chest--and in an age when the
majority of living young men have looked largely on, and become callous
about, death, John Egerton had never seen a dead body.
And he was a person of extraordinary modesty, in the sense in which most
women but few men possess modesty. He had a real chastity of thought
which few men ever achieve. John Egerton was no prig. Only he had this
natural purity of outlook which made him actually blush when indelicate
things were said on the stage or hinted at in private society.
And now he was suddenly confronted in the house of his best friend with
the dead and disgusting body of a half-naked female. He was
inexpressibly shocked.
When the light went on and he looked down at the floor, his mouth opened
suddenly, but he said no word; he only stared incredulously at the
sprawling flesh.
Then he began to blush. A faint flush travelled slowly over his rather
sallow face. He looked up then at Stephen, watching anxiously in the
corner.
"What the devil--" he said.
From the tone in which he spoke, Stephen realized suddenly the error he
had made. Pulling down a coat from a peg, he flung it over the body.
Only a few times had he heard John Egerton speak like that and look like
that, but he knew quite clearly what it meant. John should have been
kept out of this. Or he should have had it broken to him. Of course. But
there was no time--no time--that was the trouble. Stephen looked at his
watch. It was twenty to ten. At any moment his wife might be back.
Something must be done.
He opened the dining-room door. "Come in here," he said, and they went
in.
Public-domain text, read in full here on John Shaqi.
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