The House by the RiverHerbert, A. P. (Alan Patrick)
General
The House by the River
Herbert, A. P. (Alan Patrick)
London (England) -- Social life and customs -- 20th century -- Fiction; Murder -- Fiction; Poets -- Fiction
Stephen looked up. "Yes," he said; "why not?" But he knew very well why
not. Because of a certain insane sense of decency which governs even a
murderer in the presence of death. Emily Gaunt must not be "got away"
like that! Besides, it would be dangerous. He thought for a moment.
Then, "No," he said. "Wait a minute," and clattered down the basement
stairs.
When he came back he was trailing behind him a long and capacious sack,
which had hung on a nail in the scullery for the receipt of waste paper
and bottles and odds and ends of domestic refuse. The sack, fortunately,
had been only half full. All its contents he had tumbled recklessly on
the scullery floor. But as he came up the stairs he was curiously
disturbed by the thought of that refuse. What was to be done with it?
What would Margery say? The scullery had been recently cleaned out, he
knew. And the sack? How could he explain its disappearance? These damned
details.
"Here you are," he said. "This will do," and he laid the sack on the
floor.
He began to put Emily into the sack. He drew the mouth of the sack over
her feet. They were already cold. John Egerton stood stiffly under the
light, in a kind of paralysis of disgust. He felt "I must help!... I
must help!" but somehow he could not move a finger.
The sack was over the knees now. It was strangely difficult. The toes
kept catching.
But Stephen was fantastically preoccupied with the refuse on the
scullery floor, with coming explanations about the sack. "There'll be an
awful row," he said ... "the hell of a mess down there ... what shall I
say about the sack?" Then, suddenly, "What shall I say, John?... Think
of something, for God's sake!"
John Egerton jumped. The wild incongruity of Stephen's question scarcely
occurred to him. He tried solemnly to think of something to say about
the sack. He would be helpful here, surely. But no thought came. His
mind was a confused muddle of night-dresses and inquests and naked legs
and Margery Byrne--Margery Byrne arriving quietly on the
doorstep--Margery Byrne scandalized, agonized, hideously, fatally ill.
"I don't know, Stephen," he said feebly--"I don't know ... say
you ... oh, anything."
He was fascinated now by the progress of the sack, which had nearly
covered the legs. He saw clearly that a moment was coming when he would
_have_ to help, when one of them would have to lift Emily and one of
them manipulate the sack. Already Stephen was cursing and in
difficulties. The night-dress kept rucking up and had to be pulled
back, and when that was done the sack lost ground again.
"Oh, hell!" he said, with a note of final exasperation, "lend a hand,
John--lift her a bit," and then as John still hesitated, sick with
reluctance, "Oh, _lift_ her, can't you?"
Public-domain text, read in full here on John Shaqi.
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