The House by the RiverHerbert, A. P. (Alan Patrick)
General
The House by the River
Herbert, A. P. (Alan Patrick)
London (England) -- Social life and customs -- 20th century -- Fiction; Murder -- Fiction; Poets -- Fiction
Stephen answered him without petulance this time. "John, old man--for
God's sake, see it through ... we _must_ get on, and I can't do it
without you.... I'm awfully sorry.... It's got to be done...." The
appeal in his voice succeeded as an irritable outburst could not have
done.
John Egerton braced himself again. In his own mind he recognized the
practical wisdom of using the boat. He said with a great weariness,
"Come on then."
It was a long and difficult business getting that body into the boat. A
flight of wooden steps led down from the wall to the water, and from
there the boat--a small motor-boat, half-dinghy, half-canoe--had to be
hauled in with a boathook for Stephen to step acrobatically into her and
unfasten the moorings. Then she had to be paddled close up under the
wall and fastened lightly to the steps. While Stephen was doing this a
tug swished by, with a black string of barges clinging clumsily astern.
The red eye of her port-light glared banefully across the water. John
felt that the man in that tug must guess infallibly what work he was at.
A solitary lantern in the stern of the sternmost barge flickered about
the single figure standing at the tiller. He could see the face of the
man, turned unmistakably towards him.
She was travelling fast, and Stephen cursed as her wash took hold of his
little boat and tossed her up and banged her against the wall and the
rickety steps. John, leaning anxiously over, could hear his muttered
execrations as he fended her off.
Then there was a hot, whispered argument--on the best way of getting the
body down, Stephen standing swaying in the boat, with his face upturned,
like some ridiculous moonlight lover, John flinging down assertions and
reasonings in a forced whisper which broke now and then into a harsh
undertone. Stephen thought it should be carted down the steps. John,
with an aching objection to further prolonged contact with the thing,
said it should be lowered with a rope. "Haven't you a bit of rope?" he
reiterated--"a bit of rope--much the best."
Sick of argument, Stephen fumbled with wild mutterings in his locker,
and brought out in a muddle of oil-cans and tools a length of stout
cord. Together they made a rough bight about Emily's middle, together
lifted her to the flat stone parapet of the wall.
When she was there a dog barked suspiciously in Hammerton Terrace;
another echoed him along The Chase. The two men crouched against the
wall in a tense and ridiculous agitation.
Through all these emergencies and arguments and muffled objurgations
there stirred in John's mind ironical recollections of passages in
detective stories, where dead bodies were constantly being transported
with facility and dispatch in any desired direction. It seemed so easy
in the books, it was so damnably difficult in practice--or so they were
finding it.
And always there was the menace of Margery's return; she must be back
soon, she would certainly come out into the garden on a night like
this....
Public-domain text, read in full here on John Shaqi.
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