The House by the RiverHerbert, A. P. (Alan Patrick)
General
The House by the River
Herbert, A. P. (Alan Patrick)
London (England) -- Social life and customs -- 20th century -- Fiction; Murder -- Fiction; Poets -- Fiction
When she had undressed she leaned for a long time out of the high window
looking at the night. Across the river lay the broad reservoirs of the
water company, and the first houses were half a mile away; so that from
the window on a night like this you looked over seemingly endless
stretches of gleaming water; strangers coming there at night-time
wondered at the wide spaciousness of this obscure corner of London. You
could imagine yourself easily in some Oriental city. Hammersmith and
Chiswick and Barnes wore a romantic coat of shadow and silver. The
carved reflections of the small trees on the other bank were so nearly
like reflected rows of palms. The far-off outline of factories against
the sky had the awe and mystery of mosques. In the remote murmur of
London traffic there was the note, at once lazy and sinister,
treacherous and reposeful, of an Eastern town. And now when no tugs
went by and nothing stirred, the silent river, rushing smoothly into the
black heart of London, had for Margery something of the sombre majesty
of the Nile, hinting at dark unnameable things, passion and death and
furtive cruelties, and all that sense of secrecy and crime which clings
to the river-side of great cities, the world over.
Margery wondered idly how much of all that talk about the Thames was
true; whether horrible things were still done secretly beside her
beloved river, hidden and condoned by the river, carried away to the
sea.... Down in the docks, no doubt.... Wapping and so on.
The prosaic thumping of a tug broke the spell of Margery's imagination.
She looked up and down for Stephen's boat, a faint crossness in her mind
because of his lateness. She got into bed. She was sleepy, but she would
read and doze a little till he came in.
She woke first drowsily to the hollow sound of oars clattering in a
boat, a murmur of low voices and subdued splashings ... Stephen mooring
the boat ... how late he was.
A long while afterwards, it seemed, she woke again: Stephen was creaking
cautiously up the stairs. She felt that he was peeping at her round the
door, murmured sleepily, "How late you are," dimly comprehended his soft
excuses ... something about the tide ... caught by the tide ... engine
went wrong ... of course ... always did ... raised her head with a vast
effort to be kissed ... a very delicate and reverent kiss ... remembered
to ask if Cook was back ... mustn't lock the front door ... half heard a
deep "Good night, my darling, go to sleep" ... and drifted luxuriously
to sleep again, to comfortable dreams of Stephen, dreams of babies ...
moonlight ... especial editions ... palm trees and water--peaceful,
silvery water.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account