The House by the RiverHerbert, A. P. (Alan Patrick)
General
The House by the River
Herbert, A. P. (Alan Patrick)
London (England) -- Social life and customs -- 20th century -- Fiction; Murder -- Fiction; Poets -- Fiction
Cook lumbered breathlessly up the stairs, and halted with a loud sigh on
the landing. She knocked delicately on Mrs. Byrne's door and threw out a
tentative, "If you please, mum." Stephen went out. The acting must
begin.
"What is it, Mrs. Beach--speak low--Mrs. Byrne's asleep."
"It's Emily, sir, if you please, sir, turned half-past eleven now, sir,
and she's not in the house. I didn't speak before, sir, thinking she
might have slipped out like for a bit of a turn and met a friend like.
She weren't in the kitchen, sir, when I come in, nor in the bedroom
neither. I thought perhaps as how you'd seen her, sir, when you come in
and sent her on a herrand like. What had I best do sir shall I lock up
sir it's late for a young girl and gone out without her mack too."
Mrs. Beach concluded her remarks with a long, unpunctuated peroration as
if fearful that her scanty wind should fail altogether before she had
fully delivered herself.
Stephen thought rapidly. Had he sent Emily out on a "herrand," or had he
not seen her at all?
He said, "No, Mrs. Beach, I didn't see her; I went straight out on to
the river. No doubt she went out for a little walk and met a friend, as
you say. She'll be back soon, no doubt, and I'm afraid you'll have to
let her in ... very naughty of her to stay out so late. Nothing to be
done, I fear. Good night, Mrs. Beach."
Mrs. Beach caught sympathetically at Stephen's meaning suggestion of
Emily's naughtiness. "Good night, sir," she puffed; "she always was a
one for the young men, though I says it myself, but there youth will
'ave its fling, they say, and sorry I am to disturb you, sir, but I
thought as I'd best speak, it was that late, sir."
"Quite right, Mrs. Beach. Good night."
"Good night, sir."
Mrs. Beach sighed herself ponderously down the dark stairs. Stephen went
back into his room with a startling sense of elation. He had done that
well. It would be marvellously easy if it was all like that. That word
"naughty" had been a masterpiece; he was proud of it. Already he had set
moving a plausible explanation of Emily's disappearance--Emily's
frailty--Emily's "friend." Cook would do the rest. Mentally he chuckled.
Suddenly then he appreciated the vileness on which he was congratulating
himself, and the earlier blackness settled upon him. Something like
conscience, something like remorse, had room to stir in place of his
abated fears. It was going to be a wretched business, this "easy" lying
and hypocrisy and deceit--endless stretches of wickedness seemed to open
out before him. What a mess it was! How the devil had it happened--to
him, Stephen Byrne, the reputed, respectable young author?
Public-domain text, read in full here on John Shaqi.
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