The House by the RiverHerbert, A. P. (Alan Patrick)
General
The House by the River
Herbert, A. P. (Alan Patrick)
London (England) -- Social life and customs -- 20th century -- Fiction; Murder -- Fiction; Poets -- Fiction
No wonder, therefore, that The Chase delighted in him. But there was
more. He was personally delightful. So many successful men are unusually
ugly, or unusually bad-tempered, or soured, or boorish, or intolerably
rude; and the people of The Chase, being essentially a critical people
and far too noble to be capable of intellectual snobbery, would not have
given their hearts to a successful poet if he had been ugly or boorish
or intolerably rude. Stephen Byrne was none of these things--but
handsome and affable and beautifully mannered. And so they loved him.
While they were waiting for him it grew dark and a little cooler, and
more of The Chase came in. Mr. Dunk, the American, came in, and Petway,
of the Needlework Guild, and Morrison, the publisher. After them came
Mr. and Mrs. Stimpson. Stimpson was a Civil Servant, but his life-work
was cabinet-making. Mrs. Stimpson was an execrable housekeeper and
mother, but knitted with extraordinary finish. Knitting was her craft;
cabinet-making was her husband's craft. Everybody had a craft of some
kind in The Chase. They all made things or did things, which nobody made
or did in Kensington.
Sometimes this making or doing was their profession; sometimes it was a
_parergon_ carried on deliciously in leisure hours. In either case it
was the most important part of their lives. Mr. Dunk kept rabbits; Mr.
Farraday kept boats, and sailed interminably in his cutter or rowed
about in an almost invisible dinghy. However innocent and respectable
they looked, each of them, one felt, was capable of secret pottery, or
privately addicted to modelling or engraving. There was nothing The
Chase could not do.
When these people came in the At Home brightened appreciably; there was
a loud noise of really intelligent conversation, and Mrs. Whittaker was
satisfied. Whittaker laboured assiduously at his home-made cocktails,
and was suitably rewarded by their rapid consumption. Whittaker's
cocktails had the advantages and the defects of an impromptu
composition, which is precisely what they were. He was bound by no
cast-iron rules as to ingredients in manufacture. But they were always
powerful and generally popular; and most of the ladies attempted them if
only because they were such a glorious gamble. Only Mrs. Ambrose
resolutely declined. And as they drank them they were all pleasurably
excited by the imminent advent of Stephen Byrne.
Public-domain text, read in full here on John Shaqi.
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