The House by the RiverHerbert, A. P. (Alan Patrick)
General
The House by the River
Herbert, A. P. (Alan Patrick)
London (England) -- Social life and customs -- 20th century -- Fiction; Murder -- Fiction; Poets -- Fiction
The rumour travelled round the noisy room that Mr. Byrne had made Mrs.
Ambrose have a cocktail, and they all said, "How _like_ him! the naughty
old thing! No one else would have done _that_." Margery Byrne was trying
to make the dramatic critic talk about the drama, but he had come to the
conclusion that no one in Hammerton liked to talk about anything but
domestic worries. As he lived in a service flat and did not have any, it
was far from easy for him, but he was doing his best, and had
ascertained from Mrs. Byrne that she had just engaged a new maid, named
Emily, who seemed likely to be satisfactory. When Mrs. Byrne heard of
her husband's feat, she looked across at him fondly, but almost
reproachfully. "That means he's had three himself," she said, with a gay
laugh. The dramatic critic, who flattered himself that he had probed the
depths of human nature, thought, "What a nice, easygoing wife!" But Mrs.
Byrne was really thinking, "I _wish_ he wouldn't drink so many--horrid,
strong stuff."
And she saw that, though her husband was being so pleasant and kind to
the two old ladies, he was looking most of the time at Muriel Tarrant,
the pretty girl in the corner beyond him, who was talking to John
Egerton, and blushing prettily about something.
Margery Byrne said to herself, "I am not jealous," and looked away.
An enormous chatter filled the room. The psychologist sat silent,
noticing things. Mr. Whittaker fussed about with coffee and thin
glasses. Odd corners of tables and mantelpieces and bookshelves became
crowded with discarded coffee-cups and dissipated glasses, perilously
poised. Mrs. Whittaker, talking busily to the Reverend Peter, listened
anxiously, with both ears at the public pulse, as it were, and could
detect no single murmur of domestic worries. Every one, it seemed, was
being interesting and intelligent.
Then the carroty-haired Mrs. Vincent bustled up to her. "_Won't_ you
make them sing to us, Mrs. Whittaker?--Mr. Byrne's Choir, I mean. I've
never heard them, you know."
The Reverend Peter roared across the room, "A song, Stephen--a song!
Forward, the Choir!"
The Hammerton Choir was the unduly dignified title of the faintly
flippant, faintly musical company of pleasant people which the Byrnes
gathered periodically at their house along The Chase. They sang, indeed,
informally and wholly impromptu, a wide range of quartettes and choruses
and glees. But volume of sound rather than delicacy of execution was
their strong point, and the prevailing tone was frivolous. Indeed, it
was scarcely in keeping with the sonorous title they had assumed; and
Mrs. Vincent and others of Mrs. Whittaker's guests, who had heard of the
Hammerton Choir, but had not actually heard it, might be pardoned if
they had formed too flattering an impression of its powers.
Public-domain text, read in full here on John Shaqi.
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