The House by the RiverHerbert, A. P. (Alan Patrick)
General
The House by the River
Herbert, A. P. (Alan Patrick)
London (England) -- Social life and customs -- 20th century -- Fiction; Murder -- Fiction; Poets -- Fiction
But Muriel at least was enjoying herself. She was feeling unusually
mischievous and irresponsible. She twinkled mischief at John's glum
face, and she twinkled mischief into Stephen's eyes. Only they were
different kinds of mischief. She had long been fond of John "in a kind
of way"; she was still fond of him "in a kind of way." But he was a slow
and indefinite suitor, old John, and he was undeniably not exciting.
However, there was no one she liked better, and if he should ever bring
himself to the pitch of suggesting it, she had little doubt that she
would take him. His income would not be large, but it would be certain.
But it was slow work waiting, and this evening she had Stephen Byrne;
and Stephen Byrne was undeniably exciting. Not simply because he was a
great poet,--for though she liked "poitry" in a vague way, she did not
like any one poet or one piece of poetry much better than another--but
because he had made a _success_ of poetry, a worldly success. He had
made a name, he had even made money; he was a well-known man. And he was
handsome and young, and his hair was black, and that morning in the
garden he had admired her. She knew that. And she knew that she had
touched his vanity by her urgency and his senses by her charm, and
something naughty had stirred in her, and that too he had seen and
enjoyed with a sympathetic naughtiness. And she had thought to herself
that it would be an amusing thing to captivate this famous young man,
this married, respectable, delightful youth; it would be interesting to
see how powerful she could be. And at least she might waken John Egerton
into activity.
They went on to the dance in two taxis. John found himself on one of the
small seats with his back to the driver, with Stephen and Muriel
chattering aloofly together in the gloom of the larger seat. The small
seat in a taxi is, at the best of times, a position of moral and
strategic inferiority, and tonight John felt this keenly. He screwed his
head round uncomfortably in his sharp collar and pretended to be
profoundly interested in the wet and hurrying streets. But he heard
every word they said; and they said no word to him.
Public-domain text, read in full here on John Shaqi.
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