The House by the RiverHerbert, A. P. (Alan Patrick)
General
The House by the River
Herbert, A. P. (Alan Patrick)
London (England) -- Social life and customs -- 20th century -- Fiction; Murder -- Fiction; Poets -- Fiction
From the door of the galleries where the dancing was done, a confused
uproar overflowed into the passages, as if several men of powerful
physique were banging a number of pokers against a number of saucepans,
and blowing whistles, and occasional catcalls, and now and then beating
a drum and several sets of huge cymbals, and ceaselessly twanging at
innumerable banjos, and at the same time singing in a foreign language,
and shouting curses or exhortations or street-cries, or imitating
hunting-calls or the cry of the hyena, or uniting suddenly in the final
war-whoop of some pitiless Indian tribe. It was a really terrible noise.
It hit you like the breath of an explosion as you entered the room.
There was no distinguishable tune. It was simply an enormous noise. But
there was a kind of savage rhythm about it, which made John think
immediately of Indians and fierce men and the native camps which he had
visited at the Earl's Court Exhibition. And this was not surprising; for
the musicians included one genuine negro and three men with their faces
blacked; and the noise and the rhythm were the authentic music of a
negro village in South America; and the words which some genius had once
set to the noise were an exhortation to go to the place where the
negroes dwelt.
To judge by their movements, John thought, many of the dancers had in
fact been there, and carefully studied the best indigenous models. They
were doing some quite extraordinary things. No two couples were doing
quite the same thing for more than a few seconds; so that there was an
endless variety of extraordinary motions and extraordinary postures.
Some of them shuffled secretly along the edge of the room, their faces
tense, their shoulders swaying faintly like reeds in a light wind,
their progress almost imperceptible; they did not rotate, they did not
speak, but sometimes the tremor of a skirt or the slight stirring of a
patent leather shoe showed that they were indeed alive and in motion,
though that motion was as the motion of a glacier, not to be measured in
minutes or yards. And some, in a kind of fever, rushed hither and
thither among the thick crowd, avoiding disaster with marvellous
dexterity; and sometimes they revolved slowly and sometimes quickly, and
sometimes spun giddily round for a moment like gyroscopic tops. Then
they too would be seized with a kind of trance, or, it may be, with
sheer shortness of breath, and hung motionless for a little in the
centre of the room, while the mad throng jostled and flowed about them
like the leaves in autumn round a dead bird. And some did not revolve at
all, but charged straightly up and down; and some of these thrust their
loves for ever before them, as the Prussians thrust the villagers in the
face of the enemy, and some for ever navigated themselves backwards like
moving breakwaters to protect their darlings from the rough seas of
tangled women and precipitate men. Some of them kept themselves as
Public-domain text, read in full here on John Shaqi.
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