The House by the RiverHerbert, A. P. (Alan Patrick)
General
The House by the River
Herbert, A. P. (Alan Patrick)
London (England) -- Social life and customs -- 20th century -- Fiction; Murder -- Fiction; Poets -- Fiction
Against this portentous aggregate of excuses Margery argued gently and
sorrowfully but vainly. And sorrowfully she went away with Nurse and
Joan and Michael Hilary. She went away to Hampshire, to the house of an
old friend--a lovely place on the shore of the Solent. You drove there
from Brockenhurst through the fringes of the New Forest, through
marvellous regiments of ancient trees, and wild stretches of heathery
waste, and startling patches of hedge and pasture, where villages with
splendid names lurked slyly in unexpected hollows, and cows stood
sleepily by the rich banks of little brooks. And when you came to the
house, you saw suddenly the deep blue band of the Solent, coloured like
the Dardanelles, and quiet like a lake. Beyond it rose the green
foothills of the Island, patched with the brown of ploughlands and
landslides by the sea, and far-off the faint outline of Mottistone Down
and Brightstone Down, little heights that had the colour and dignity of
great mountains when the light caught them in the early morning or in
the evening or after the rain. On the water small white boats with red
sails and green sails shot about like butterflies, and small black
fishing-craft prowled methodically near the shore. And sometimes in the
evening a great liner stole out of Southampton Water and crept
enormously along the farther shore, her hull a beautiful grey, her
funnel an indescribable tint, that was neither pink nor scarlet nor red,
but fitted perfectly in the bright picture of the land and the sea. And
all day there were ships passing, battleships and aged tramps and
dredgers and destroyers, and sometimes a tall sailing-ship that looked
like an old engraving, and big yachts with sails like snow, and little
yachts with sails like cinnamon or the skin of an Arab boy. At low tide
there were long stretches of mudflats and irregular pools, before the
house and far away to the west; and these at sunset were places of great
beauty. For the sunset colours of the tumbled clouds, and the subtle
green of the lower sky and the bold blue of the cloudless spaces above
were in these pools and in the near shallows of the sea perfectly
recaptured. In this delicate mosaic of golden pools and rose pools and
nameless lights herons moved with a majestic stealth or stood like ebony
images watching for fish; and little companies of swans swam up and down
with the arrogant beauty of all swans and the unique beauty of swans in
sea water: and all the sea-birds of England circled and swooped against
the sun or clustered chattering on the purple mud and saffron patches of
sand, with a strange quietness, as if they, too, must do their reverence
to the stillness and the splendour of that hour.
The sun went down and all those colours departed, but for a sad glow
over Dorsetshire and the deep green of the Needles Light that shot along
the still surface almost to your feet as you stood in the thick grass
above the shore.
Public-domain text, read in full here on John Shaqi.
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