The House by the RiverHerbert, A. P. (Alan Patrick)
General
The House by the River
Herbert, A. P. (Alan Patrick)
London (England) -- Social life and customs -- 20th century -- Fiction; Murder -- Fiction; Poets -- Fiction
Then you went with the sensation of awe into the house; and the house
was old and comforting and spacious, with a mellow roof of gentle red;
and it was rich with the timber of Hampshire trees. There was a lawn in
front of it and a tangled screen of low shrubs and sallow trees; and
when Margery stood in the wide window of her room there was nothing but
these between herself and the sea; and there was no building to be seen
nor the work of any man, only the friendly ships and their lights, and
the far smoke of a farm upon the Island, and at night the blinking lamp
of a buoy-light in the Channel. To Margery it would have been the
perfect haven of contentment and rest--if Stephen had come with her. But
he had not come. At night the curlews flew past the windows with the
long and sweet and musical cry which no other bird can utter and no man
imitate, nor even interpret--for who can say from the sound of it if it
be a cry of melancholy or a song of hope or rejoicing or love? But to
Margery in those weeks it was a song of absolute sadness, of lost
possibilities and shattered dreams, and it was the very voice of her
disappointment, her protest against the exquisite tantalization of her
coming to this exquisite retreat--and coming alone.
And Stephen in London worked on at "Chivalry." He was beginning to be
tired of it now as the end of it came in sight, and it was true that he
wanted to be able to leave the whole burden of it behind him when he
went away. But that was not the whole reason of his staying at home, and
what the whole reason was he had not consciously determined; but faintly
he knew that Muriel Tarrant was part of it.
He was tired of the poem now, and was eager to be done--eager to be done
with the long labour of execution of an idea no longer fresh with the
first fury of inspiration. And now that so much was achieved he was
urgent to finish it quickly and give it to the world, lest some other be
before him. For poets and all authors suffer something of the terrors of
inventors and scientific creators, toiling feverishly at the latest
child of their imagination, while who knows what other man may not
already have stolen their darling, may not this very hour be hurrying to
the Patent Office, filching rights and the patronage of rich men,
ruining perhaps for ever by their folly or avarice or imperfection the
whole glory of the conception.
Public-domain text, read in full here on John Shaqi.
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