The House by the RiverHerbert, A. P. (Alan Patrick)
General
The House by the River
Herbert, A. P. (Alan Patrick)
London (England) -- Social life and customs -- 20th century -- Fiction; Murder -- Fiction; Poets -- Fiction
The sails of the barges stood out far off in lovely patches of
warm brown, and their masts shone like copper in the sun. Tucked away
among the wharves and cranes were old, mysterious houses, balconies and
lady-like windows looking incongruously over coal-barges.
But it was all mysterious and all beautiful, Stephen thought, in this
sunny market of the Thames. He liked the strange old names of the places
they passed, and told them lovingly to Muriel--Limehouse Causeway, the
Wapping Old Stairs, and Shadwell Basin, and Cherry Garden Pier; and he
loved to see through inlets here and there the high forests of masts,
and know that yonder were the special mysteries of great docks; for for
such things he had the romantic reverence of a boy. But Muriel saw no
romance and little beauty in the Pool of London, and her brother George
saw less. She saw it only as a strange muddle of dirty vessels and ugly
buildings, strongly suggestive of slums and the East End. It was noisy
sometimes, and she had been splashed with water which she knew was dirty
and probably infected; she felt that she preferred the westward
stretches of the Thames, where navigation was less anxious and Stephen
was not so preoccupied with his surroundings.
Stephen perceived this and was aware of a faint disappointment. Only
when they rounded a bend and saw suddenly the gleaming pile of Greenwich
Hospital, brilliant against the green hill behind, did Muriel definitely
admire. And then, Stephen thought, it was not because she saw that the
building was so beautiful from that angle and in that light, but because
it had such an air of cleanliness and austere respectability after the
orgy of raffish and commercial scenery which she had been compelled to
endure. Or perhaps it was because at Greenwich Pier they were going to
get out of the boat.
XIII
Public-domain text, read in full here on John Shaqi.
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