The House by the RiverHerbert, A. P. (Alan Patrick)
General
The House by the River
Herbert, A. P. (Alan Patrick)
London (England) -- Social life and customs -- 20th century -- Fiction; Murder -- Fiction; Poets -- Fiction
All that week the tide was high in the evenings, and on the third day
the moon began. And every night, when all Hammerton had gone to their
early beds, he paddled secretly to the Tarrants' steps, still drunk with
amorous excitement and the sense of stealthy adventure. Every night
Muriel was waiting on the wall, slim and tremulous and pale; and they
slipped away under the bank to the open spaces where none could see. And
each day they said to themselves that this must be the last evening, for
disaster must surely come of these meetings and these kisses; and each
day looked forward with a hot expectancy to the evening that was to
come, that must be the end of this delicious madness. Yet every night he
whispered, "Tomorrow?" and every night she whispered, "If I can." And
each day he wrote a new love-song--dedicated "To M."
On the seventh day young George came down to see his sister, and,
greatly daring, Stephen proposed a long expedition down the river in his
motor-boat. So those three set out at noon and travelled down river in
the noisy boat through the whole of London. They saw the heart of London
as it can only be seen from London's river, the beauty of Westminster
from Vauxhall and the beauty of the City from Westminster. And as a man
walks eastward through Aldgate into a different world, they left behind
them the sleek dignity of Parliament and the Temple and the Embankment
and shot under Blackfriars Bridge into a different world--a world of
clustering, untidy bridges and sheer warehouses and endless wharves.
They felt very small in the little boat that spun sideways in the
bewildering eddies round the bridges and was pulled under them at
breathless speed by the confined and tremendous tide. They came through
London Bridge into a heavy sea, where the boat pitched and wallowed and
tossed her head and plunged suddenly with frightening violence in the
large waves that ran not one way only but rolled back obliquely from the
massed barges by the banks, and dashed at each other and made a tumult
of water, very difficult for a small boat to weather. Tugs dashed up
and down and across the river with the disquieting quickness and
inconsequence of taxi-cabs in the narrow space between the barges and
the big steamers huddled against the wharves. The men in them looked out
and laughed at the puny white boat plunging sideways under Tower Bridge.
There was then an ocean-going steamer moving portentously out, and
Muriel was frightened by the size of the ship, and the noise and racket
of the wharves, and the hooting tugs, and the mad water splashing and
heaving about them. But they came soon past Wapping into a wide and
quieter reach; and here there were many ships and many barges, some
anchored and some slowly moving, like ships in a dream. All of them were
bright with colour against the sky and against the steel-blue water and
the towering muddle of wharves and tall chimneys and warehouses upon the
banks.
Public-domain text, read in full here on John Shaqi.
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