The House of Atreus; Being the Agamemnon, the Libation bearers, and the Furies — John Shaqi
The House of Atreus; Being the Agamemnon, the Libation bearers, and the FuriesAeschylus
General
The House of Atreus; Being the Agamemnon, the Libation bearers, and the Furies
Aeschylus
Agamemnon, King of Mycenae (Mythological character) -- Drama; Orestes, King of Argos (Mythological character) -- Drama
For this, for this, I say there plots revenge
A coward lion, couching in the lair—
Guarding the gate against my master’s foot—
My master—mine—I bear the slave’s yoke now,
And he, the lord of ships, who trod down Troy,
Knows not the fawning treachery of tongue
Of this thing false and dog-like—how her speech
Glozes and sleeks her purpose, till she win
By ill fate’s favour the desired chance,
Moving like Atè to a secret end.
O aweless soul! the woman slays her lord—
Woman? what loathsome monster of the earth
Were fit comparison? The double snake—
Or Scylla, where she dwells, the seaman’s bane,
Girt round about with rocks? some hag of hell,
Raving a truceless curse upon her kin?
Hark—even now she cries exultingly
The vengeful cry that tells of battle turned—
How fain, forsooth, to greet her chief restored!
Nay then, believe me not: what skills belief
Or disbelief? Fate works its will—and thou
Wilt see and say in ruth, _Her tale was true._
CHORUS
Ah—’tis Thyestes’ feast on kindred flesh—
I guess her meaning and with horror thrill,
Hearing no shadow’d hint of th’ o’er-true tale,
But its full hatefulness: yet, for the rest,
Far from the track I roam, and know no more.
CASSANDRA
’Tis Agamemnon’s doom thou shalt behold.
CHORUS
Peace, hapless woman, to thy boding words!
CASSANDRA
Far from my speech stands he who sains and saves.
CHORUS
Ay—were such doom at hand—which God forbid!
CASSANDRA
Thou prayest idly—these move swift to slay.
CHORUS
What man prepares a deed of such despite?
CASSANDRA
Fool! thus to read amiss mine oracles.
CHORUS
Deviser and device are dark to me.
CASSANDRA
Dark! all too well I speak the Grecian tongue.
CHORUS
Ay—but in thine, as in Apollo’s strains,
Familiar is the tongue, but dark the thought.
CASSANDRA
Ah ah the fire! it waxes, nears me now—
Woe, woe for me, Apollo of the dawn!
Public-domain text, read in full here on John Shaqi.
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