New York (N.Y.) -- Fiction; Prostitutes -- Fiction
New York, it appeared, was a city of splendid leisure. Its entire
four millions of population spent their days in rest and their nights
in amusement. There were the rumbling cable-cars, the roaring
elevated trains, the subway expresses, which reached out and drew the
Battery within twenty minutes of the Bronx. There were the realities
that had been only vague magic names to this girl: the East Side, the
Bowery, the Metropolitan Opera House, the Waldorf. Nobody went to
bed before three o'clock in the morning, or woke before one in the
afternoon. Nobody was ugly and nobody was old. There were no books
to study, no errands to run, no dishes to wash. There were only the
cabs and the taxis to ride in, the hundred theaters to see, the cafés
and the music, Fifth Avenue with its palaces, and Broadway, from
Thirty-fourth to Forty-third "von big, yellow, happy electric lighd."
She listened. As he spoke, though she did not know it, the far-off
orchestras were calling her, as if the sound of the city deafened her
to all other sounds, as if the lights of New York blinded her to the
lights of home.
Her own story, as she in turn briefly told it to him, provided her
with the one touch of contrast needed to make the lure of the new
dream complete, provided him with the one text necessary for the
implications he frankly wanted her to receive. She was already so
metropolitan that, when she agreed to go to the moving-picture show,
she passed the portals of "The Happy Hour," as the place was
optimistically entitled, with a superior scorn for all that it had to
offer.
The narrow hall was dark when they entered--Max pocketing the large
roll of yellow bills from which he had drawn the price of their
admission--and, as they sat down, half-way toward the stage, there
was being shown, on the screen, the absurd adventures of a tramp, who
entered an ornate hotel grill-room and who, among wondering,
well-dressed guests, was proceeding to order an elaborate meal.
"That's the _As_tor," whispered Max, loudly. "I'd know id anyvheres."
The pictured tramp was, of course, unable to pay his score, and,
equally, of course, was pursued as he leaped through an open window.
Max acted as Mary's guide during the tableaux of the chase that
followed. Now the quarry was darting among the congested traffic of
Times Square; now he had clambered over the platform of a
Forty-second Street surface-car; now he was running up the steep
stairway of the Sixth Avenue "L," and now, the hunters close at his
heels, he was dashing along Thirty-fourth Street past the Waldorf,
turning down toward the Park Avenue Hotel, and so, at last, was
caught at the nearby entrance to the subway.
When the lights flared up at the conclusion of the little drama, Mary
sighed as if suddenly plunged from fairyland down to the real world
below. And then the sigh changed to a gasp of fright: in the same
row, only six seats away, her sister Etta was sitting.
The girl started to rise.
Public-domain text, read in full here on John Shaqi.
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