New York (N.Y.) -- Fiction; Prostitutes -- Fiction
The new servant, from the shadow, returned that gaze. She saw before
her, in the person of her employer's son, Philip Beekman, the
black-haired, gray-eyed young waster that had once promised her help
in the house of Rose Légère. On her part, Violet could have no
doubt, and it was only with the utmost exercise of self-control that
she continued her duties. But for Philip certainty was not
immediately obtainable. He saw many girls in the surroundings in
which he had first seen Violet, and her he would probably long since
have forgotten had it not been for the appeal that she had made to
his surface emotions. Nevertheless, the walls of his own home did
not, in this case, form a setting that made for easy identification,
and, besides, though this woman had recovered some degree of her
health, the best of her looks would never return. Beauty is the
quality most remembered by such men as Philip Beekman, and beauty
lost is the best disguise against them. Philip, therefore, quietly
deposited his mother in her chair, and continued his easy raillery
until the soup had been served and the little family had been left,
for a time, alone.
"New maid?" he then casually inquired.
"Yes," said Mrs. Chamberlin, "and actually a fairly competent one."
"What's her name?"
"Bella."
"Any more?"
"Really, I don't recall her family name, Philip. What possible
difference can it make?"
"I suppose," said Madelaine, "that he thinks her pallor interesting."
"Nonsense, Madelaine!"
"Her last name is Nimick, Philip."
"Oh!" said Philip, inwardly reflecting that, in the nature of things,
a name could not much signify. "I was merely attracted by the fact
that she didn't precisely resemble a servant. Have you never noticed
how all men look as if they belonged to the class below their own,
and all women to the class above? It seems as if a man could never
rise above his environment, and as if a woman could never descend to
hers."
He did not again refer to the subject, but the subject was, during
all the meal, keenly conscious that his gray eyes were covertly
watching her. She moved about the room with increasing difficulty.
Her hand shook as she brought the salad-bowl, and she spilled some of
his coffee on the cloth.
As soon as Lena had left the kitchen and gone upstairs, Beekman came
into the pantry. His manner, neither that which she had once known
nor that which she had more lately observed, was quick and
threatening; his frank face was flushed with anger.
"Your name is Violet," he said in a voice that, though low, shook
under the restraint that he put upon it.
She was standing beneath a gas-jet, a little column of dishes in her
hand. The cruel light showed the havoc that had been wrought upon
her, but it also showed the marks that no years or change could alter.
"Yes," she said, her own voice scarce a whisper.
"Did you----" he bit his lip. "Did you come here to scare me?" he
demanded.
She put down the dishes.
"What do you mean, Mr. Beekman?"
Public-domain text, read in full here on John Shaqi.
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