The House of Defence v. 1Benson, E. F. (Edward Frederic)
Science
The House of Defence v. 1
Benson, E. F. (Edward Frederic)
Christian Science -- Fiction; England -- Social life and customs -- Fiction; Spiritual healing -- Fiction
He had lain down on the sofa with his face averted from the light and
his eyes shut, so as to give the utmost welcome to sleep, but it was not
sleep that came, but a series of vivid though unreal images, born of
memory. First an interminable series of stretchers, each with its
swathed, fever-stricken burden, came up the stairs, and just when he was
beginning to feel that this monotonous procession was the precursor of
sleep, another image twitched him and claimed his attention. Maud had
gone fishing, poaching, yesterday, and had enjoyed good sport; thus the
procession of stretchers gave way to the vision of her landing fish
after fish, all dead-beat, all silver-sided, till it seemed that this
iteration, too, must end in unconsciousness. But something jarred it,
and, instead, Catherine stood at the head of the stairs in Thurso House,
dressed in rubies, with a sort of "love-in-the-mist" of gold round her,
receiving kings and queens, and queens and kings, all in crowns. But
that, again, ended, not in slumber, but in something very antagonistic
to it. There was just a little stab--it was hardly pain--inside his
head, as remote as the sound of an electric bell in the basement. Then
it was repeated, but this time louder and more insistently, as if the
ringer, on the one hand, was impatient, and as if the bell was beginning
to come up the back-stairs. Then--it was right to call it pain now--the
sound grew louder, and the finger pressed the bell more firmly, while
the bell itself came closer. He was quite wide awake now, surface of
brain and secret cells alike, and he opened his eyes. Then he said out
loud:
"I am in for another."
That seemed to be the case, for the prediction began to be instantly
fulfilled. The half-drowsy similitude of the electric bell vanished, and
instead there was pain--clear, clean pain. It stabbed half a dozen times
with a firm, practised touch, as a pianist strikes a chord or two before
he begins his piece. Then it paused for a moment. Immediately afterwards
it began again, but differently. Instead of stabbing at the nerve, it
laid a cold, steady finger on it, and that finger grew quietly steadier
and colder, till something inside his head seemed to ring with it, as a
musical glass rings when it is adroitly stroked. Then came a brilliant
passage of all sorts of pain, as if the orchestra had begun to accompany
that masterly solo. Then, as the horn holds a long, lazy, piercing
note, pain pierced and dwelt in him, while wonderful arpeggios of
torture from neighbouring nerves crossed it. That was the prelude.
* * * * *
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account