The House of Defence v. 1Benson, E. F. (Edward Frederic)
Science
The House of Defence v. 1
Benson, E. F. (Edward Frederic)
Christian Science -- Fiction; England -- Social life and customs -- Fiction; Spiritual healing -- Fiction
But much as she observed, it was probable that, as far as observation
went, she was more the victim than the priest, for in all the little
London world which is called the great there was no one at this moment
quite so important as she. She "mattered"--a thing of rare occurrence in
so republican a place--and she mattered publicly, openly, superbly. In
the ever-shifting kaleidoscope of London life, in which nothing, neither
beauty nor blood nor wit, nor any pre-eminence, carries with it any
certain distinction, she was just now the centre of the whole astounding
mixture of sordidness and brilliance, of intelligence and stupidity.
To-morrow or next year, as she knew quite well, it might be a music-hall
artist, or a foreign king, or a twopenny philosopher, or an infant
prince, or somebody who played tunes on his front teeth, who would
absorb general attention, but just now it was she. She rated "general
attention" at about its proper value, knowing quite well that the
affection of one friend was worth all the general attention of a
century; but she found that it was, as she expressed it, "rather fun."
The movements and conjunction of these stars and planets of London life
are far more inscrutable than the vagaries of the simpler constellations
of the heaven, but just at this moment Catherine Thurso was the central
sun round which all else revolved. There were twenty other people who
had wealth, beauty, and charm in no less degree than she, though in the
matter of beauty forty-nine Parises out of fifty would have awarded the
golden apple to this Juno among women, and the world, for that reason or
another, had chosen her to be their temporary idol. She was the person
who mattered, and this was her hour. And her hour, no less than her own
enjoyment of it, she used, as Thurso had said, magnificently, for it
really seemed as if charity, no less than social entertainment, would
collapse without her support. She made herself a slave to any scheme
that helped the helpless, or encouraged the would-be worker to work, and
yet all the time she lived, and intended to live, gorgeously. So, like
the driver of a pair of horses, she did not suffer the social horse to
be lazy or shirk its work, for she knew (and acted on the knowledge)
that her social distinction brought buyers to her bazaars. She played,
therefore, the brilliant woman of the world for all it was worth, in
order to assist deserving objects, though she enjoyed the _rôle_
enormously for its own sake. Both horses, charitable and social, felt
her indefatigable lash, and she spurred herself on, just as she spurred
on all those who surrounded her, inducing activity in them by the
spectacle of her own glorious vitality.
Public-domain text, read in full here on John Shaqi.
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