He spoke very rapidly, in a light half-mocking tone that seemed to Joan
to make the happenings of the afternoon unreal and remote. His eyes were
very bright, almost defiant in their expression--holding a suggestion
of recklessness, as though he were embarked upon something of which his
inmost self refused to approve but which he was nevertheless determined
to carry through.
“So you _did_ ‘call to enquire,’ after all!”
As she spoke, Jean’s mouth curled up at the corners in an involuntary
little smile of amused recollection.
“So I did call after all?” He looked puzzled--not unnaturally, since
he had no clue to her thoughts. “What do you mean? I came”--he went on
lightly--“because I wanted the rest of the day which you promised to
share with me. The proceedings were cut short rather abruptly this
afternoon.”
“But how did you get here?” she asked. “And--and why did you disappear
so suddenly after we got back to the hotel this afternoon?”
“I got here by the aid of a pair of excellent skis and the light of
the moon; the snow ceased some hours ago and the surface is hardening
nicely. I disappeared because, as I told you, if you gave me this one
day, it should bind you to nothing--not even to introducing me to your
friends.”
“I should have had to present you as _Monsieur l’Inconnu,_” remarked
Jean without thinking.
“Yes.” He met her glance with smiling eyes, but he did not volunteer his
name.
He had made no comment, uttered no word beyond the bald affirmative, yet
somehow Jean felt as though she had committed an indiscretion and he
had snubbed her for it. The blood rushed into her cheeks, staining them
scarlet.
“I beg your pardon,” she said stiffly.
Again that glint of ironical amusement in his eyes.
“For what, mademoiselle?”
She was conscious of a rising indignation at his attitude. She could not
understand it; he seemed to have completely changed from the man of a
few hours ago. Then he had proved himself so good a comrade, been so
entirely delightful in his thought and care of her, whereas now he
appeared bent on wilfully misunderstanding her, putting her in a false
position just for his own amusement.
“You know perfectly well what I meant,” she answered, a tremor born
of anger and wounded feeling in her voice. “You thought I was
inquisitive--trying to find out your name----”
“Well”--humorously--“you were, weren’t you?” Then, as her lip
quivered sensitively, “Ah! Forgive me for teasing you! And”--more
earnestly--“forgive me for not telling you my name. It is better--much
better--that you should not know. Remember, we can only have this one
day together; we’re just ‘ships that pass.’” He paused, then added:
“Mine’s only a battered old hulk--a derelict vessel--and derelicts are
best forgotten.”
There was an undercurrent of deep sadness in his voice, the steadfast,
submissive sadness of a man who has long ago substituted endurance for
revolt.
Public-domain text, read in full here on John Shaqi.
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