'You know--we've got to end this--Miriam loves you . . .
If she should ever know, or even guess it,--
What would she do?--Listen!--I'm not absurd . . .
I'm sure of it. If you had eyes, for women--
To understand them--which you've never had--
You'd know it too . . . ' So went this colloquy,
Half humorous, with undertones of pathos,
Half grave, half flippant . . . while her fingers, softly,
Felt for this tune, played it and let it fall,
Now note by singing note, now chord by chord,
Repeating phrases with a kind of pleasure . . .
Was it symbolic of the woman's weakness
That she could neither break it--nor conclude?
It paused . . . and wandered . . . paused again; while she,
Perplexed and tired, half told me I must go,--
Half asked me if I thought I ought to go . . .
Well, April passed with many other evenings,
Evenings like this, with later suns and warmer,
With violets always there, and fragrant curtains . . .
And she was right: and Miriam found it out . . .
And after that, when eight deep years had passed--
Or nine--we met once more,--by accident . . .
But was it just by accident, I wonder,
She played this tune?--Or what, then, was intended? . . .
V. MELODY IN A RESTAURANT
The cigarette-smoke loops and slides above us,
Dipping and swirling as the waiter passes;
You strike a match and stare upon the flame.
The tiny fire leaps in your eyes a moment,
And dwindles away as silently as it came.
This melody, you say, has certain voices--
They rise like nereids from a river, singing,
Lift white faces, and dive to darkness again.
Wherever you go you bear this river with you:
A leaf falls,--and it flows, and you have pain.
So says the tune to you--but what to me?
What to the waiter, as he pours your coffee,
The violinist who suavely draws his bow?
That man, who folds his paper, overhears it.
A thousand dreams revolve and fall and flow.
Some one there is who sees a virgin stepping
Down marble stairs to a deep tomb of roses:
At the last moment she lifts remembering eyes.
Green leaves blow down. The place is checked with shadows.
A long-drawn murmur of rain goes down the skies.
And oaks are stripped and bare, and smoke with lightning:
And clouds are blown and torn upon high forests,
And the great sea shakes its walls.
And then falls silence . . . And through long silence falls
This melody once more:
'Down endless stairs she goes, as once before.'
So says the tune to him--but what to me?
What are the worlds I see?
What shapes fantastic, terrible dreams? . . .
I go my secret way, down secret alleys;
My errand is not so simple as it seems.
VI. PORTRAIT OF ONE DEAD
Public-domain text, read in full here on John Shaqi.
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