American fiction -- 20th century; Georgia -- Social life and customs -- Fiction; Married women -- Fiction
THE HOUSE
OF HELEN
CORRA HARRIS
THE
HOUSE OF HELEN
BY
CORRA HARRIS
AUTHOR OF “A DAUGHTER OF ADAM,” “THE EYES OF LOVE,”
“MY SON,” “HAPPILY MARRIED,” “A CIRCUIT RIDER’S
WIFE,” “THE RECORDING ANGEL,” ETC.
AND IN COLLABORATION WITH FAITH HARRIS LEECH:
“FROM SUNUP TO SUNDOWN”
[Illustration]
NEW YORK
GEORGE H. DORAN COMPANY
COPYRIGHT, 1923,
BY GEORGE H. DORAN COMPANY
[Illustration]
COPYRIGHT, 1922, 1923,
BY THE CURTIS PUBLISHING COMPANY
THE HOUSE OF HELEN. II
PRINTED IN THE UNITED STATES OF AMERICA
PART ONE
THE
HOUSE OF HELEN
PART ONE
CHAPTER I
The town of Shannon lay like a wreath flung wide upon the hills above
one of those long, green, fertile valleys to be seen everywhere below
the Blue Ridge Mountains in North Georgia. It was nothing like a city,
merely a neat, little town built by thrifty people since the Civil
War. Therefore, there were no colonial residences in it to remind you
of the strutting, magnificent past, but the houses in it were smaller,
painted any color that pleased the fancy, ruffled from end to end, with
spindle-legged porches and scalloped gables. White church spires stuck
up out of it like the forefingers of faith in God. There was a town
square, around which business was done comfortably and leisurely on a
credit basis.
The red-brick courthouse stood in this square, with a long, wide
flight of white cement steps to it, showing like the teeth of the law;
not that any one minded these teeth. The dome of this courthouse was
covered with galvanized tin. It shone above the tufted trees on bright
days like an immense silver helmet. And beneath this helmet there was
the town clock, a good, old man with a plain, round face with only
the wrinkles that marked the hours on it. Half the men in Shannon who
carried watch chains carried no watches because this clock was so
infallibly faithful to the sun.
At the time of which I write no one in Shannon called the narrow or
even the wide spaces, which separated their respective homes from the
street, a lawn. It was the “front yard,” and usually divided with a
picket fence from the back yard, where the hens attended to business.
Flowers, of the kind in service to “ladies” who wear aprons and do
their own work and have an artless affection for blooming things,
inhabited these front yards, regardless of law and order in the matter
of background or perspective. The forsythia, syringas, roses and
altheas had been planted with reference to their health in relation
to the sun, and, whatever happened, they bloomed. Only the smaller
plants, like annuals, were sternly disciplined. They stood up in beds
or along the graveled walks, like spelling classes in a properly graded
school, every one of them reciting a bloom after the manner of its kind.
Public-domain text, read in full here on John Shaqi.
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