American fiction -- 20th century; Georgia -- Social life and customs -- Fiction; Married women -- Fiction
If the reader is another woman, and has spent her spare time for
nearly forty years, as I have, in a sort of involuntary study of men,
she knows, as well as I do, that there is nothing you can see with
the naked eye or put even your gloved finger on that does determine
the character of a man. He never breaks his own personal confidence.
It is no use to keep either your eye or your finger on him. You will
never know him unless he goes to pieces like the one-horse shay, after
which it is very unfortunate to know him at all. I am putting this
down merely to give you a line on how effervescently Helen came into
possession of her house, though it seemed so natural that she should
have it, and to warn you that while you think you know what will happen
in this story, you do not know, because you do not know George. You do
not, even if your own husband is a similar George.
CHAPTER IX
There is an old copy of the Shannon _Sentinel_, dated October 17, 1902,
which contains an account of the Adams-Cutter marriage. It lies folded
in the trunk with Helen’s last girlhood hat, and a few other things of
that tearful nature. I do not know why women keep these little yellowed
and faded tokens of past hopes, unless it is for the same reason they
devote themselves cheerfully and industriously to the cultivation of
flower gardens on their cemetery lots where their dead lie so deeply
buried.
The dim type still tells how the altar in this church was decorated
with flowers and ferns, who played the wedding march and who performed
the ceremony. The bride was the beautiful and accomplished daughter of
the late Sam Adams and Mrs. Mary Adams.
“Late” is the adjective you get, instead of the plain civilian title
of “Mister” you had while you were in the flesh. It depends whether
this exchange implies demotion or immortal inflation. But there can be
no doubt about the significance of “Sam” in this connection. Mr. Adams
was a carpenter, and a good one, but he never received credit in this
present world for the concluding, dignifying syllables of his Christian
name.
In this same paragraph it tells how the bride was dressed, who her
attendants were and what they wore. And simmers down in the last
sentence to a description of the gowns worn by the respective mothers
of the bride and groom. The word “exeunt” does not occur, of course;
but that lick-and-a-promise praise of their toilettes really implies
that this is the last prominent appearance of these worthy women.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account