American fiction -- 20th century; Georgia -- Social life and customs -- Fiction; Married women -- Fiction
“Don’t forget to call for my pass book at the bank, Helen,” this was
said in a slightly higher key, indicating that the girl had left the
room. “You had better go by the bank on your way to the church. It
closes at four o’clock.”
“Yes, mother;” and at the same moment this young girl came out of the
house, down the steps, walking hurriedly.
When she reached the street she began to move more sedately, giving
herself an air. Her ankles were slim; her black satin pumps had low
French heels. She wore a white organdie. The fineness, tucks and lace
of her petticoat showed through the full skirt. The bodice was plain,
finished at the neck with an edge of lace, and gathered puffily in at
the belt. The fineness, tucks and lace of an underbody clung daintily
to her shoulders and showed through. The sleeves were short. Her arms
round and very fair. A wide taffeta ribbon sash of pale blue, crushed
crinklingly about her waist, was tied in a butterfly bow behind, very
stiff and upstanding.
She wore a broad-brimmed, white leghorn hat, trimmed with tiny bunches
of field flowers. This hat was tilted slightly to one side, as if she
lacked the courage to pull it down, lest she should reveal more than
she dared tell of what she was and meant. It rested, therefore, at the
merest, most innocent angle of coquetry.
The girl herself was utterly and entrancingly fair. She had straight
hair, of the shade called ash blond; no deeper golden lights in it;
most of it hidden beneath the encompassing hat. If you found it,
you must do so by an act of the imagination. And the absurd primness
with which it lay so close and smoothly above her ears teased the
imagination. Her skin was white, with that underglow of pink so faint
it could scarcely be called color--cheeks round, not too full. The oval
chin had the softness of youth. She had a mouth made for silence; it
was serious. The under lip was a straight pink line, prettily turned,
which did not go very far; the upper lip was distinctly full in the
center, with a sort of flute there which ended in a dainty, pointed,
white scallop beneath the nose, and it closed purposefully over the
lower lip. This was due to the fact that if she was not mindful, it let
go, curled up and showed the only flaw she had--two lovely teeth, a
trifle prominent because they lapped at the lower edge after the manner
of some Anglo-Saxon ancestor from whom she must have inherited them.
Her nose might amount to something later in life as an indication of
character, but now it was merely a good little nose, rounded at the end
where it should have been pointed, and too brief for beauty.
Public-domain text, read in full here on John Shaqi.
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