New York (N.Y.) -- Fiction; Psychological fiction; Single women -- Fiction; Social classes -- Fiction
She laid down the paper and sat motionless, staring at her note.
She understood now that he was never coming—that he had gone away
because he was afraid that he might come. She rose, and walking
across the floor stood gazing at herself for a long time in the
brightly lit mirror above the mantelpiece. The lines in her face
came out terribly—she looked old; and when a girl looks old to
herself, how does she look to other people? She moved away, and
began to wander aimlessly about the room, fitting her steps with
mechanical precision between the monstrous roses of Mrs. Peniston’s
Axminster. Suddenly she noticed that the pen with which she had
written to Selden still rested against the uncovered inkstand.
She seated herself again, and taking out an envelope, addressed
it rapidly to Rosedale. Then she laid out a sheet of paper, and
sat over it with suspended pen. It had been easy enough to write
the date, and “Dear Mr. Rosedale”—but after that her inspiration
flagged. She meant to tell him to come to her, but the words
refused to shape themselves. At length she began: “I have been
thinking——” then she laid the pen down, and sat with her elbows on
the table and her face hidden in her hands.
Suddenly she started up at the sound of the door-bell. It was
not late—barely ten o’clock—and there might still be a note from
Selden, or a message—or he might be there himself, on the other
side of the door! The announcement of his sailing might have been
a mistake—it might be another Lawrence Selden who had gone to
Havana—all these possibilities had time to flash through her mind,
and build up the conviction that she was after all to see or hear
from him, before the drawing-room door opened to admit a servant
carrying a telegram.
Lily tore it open with shaking hands, and read Bertha Dorset’s name
below the message: “Sailing unexpectedly tomorrow. Will you join us
on a cruise in Mediterranean?”
BOOK TWO
Chapter 1
It came vividly to Selden on the Casino steps that Monte Carlo
had, more than any other place he knew, the gift of accommodating
itself to each man’s humour. His own, at the moment, lent it a
festive readiness of welcome that might well, in a disenchanted
eye, have turned to paint and facility. So frank an appeal for
participation—so outspoken a recognition of the holiday vein in
human nature—struck refreshingly on a mind jaded by prolonged
hard work in surroundings made for the discipline of the senses.
As he surveyed the white square set in an exotic coquetry of
architecture, the studied tropicality of the gardens, the groups
loitering in the foreground against mauve mountains which
suggested a sublime stage-setting forgotten in a hurried shifting
of scenes—as he took in the whole outspread effect of light and
leisure, he felt a movement of revulsion from the last few months
of his life.
Public-domain text, read in full here on John Shaqi.
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