The New York winter had presented an interminable perspective of snow-burdened days, reaching toward a spring of raw sunshine and furious air, when the ugliness of things rasped the eye as the gritty wind ground into the skin. Selden, immersed in his work, had told himself that external conditions did not matter to a man in his state, and that cold and ugliness were a good tonic for relaxed sensibilities. When an urgent case summoned him abroad to confer with a client in Paris, he broke reluctantly with the routine of the office; and it was only now that, having despatched his business, and slipped away for a week in the south, he began to feel the renewed zest of spectatorship that is the solace of those who take an objective interest in life. The multiplicity of its appeals—the perpetual surprise of its contrasts and resemblances! All these tricks and turns of the show were upon him with a spring as he descended the Casino steps and paused on the pavement at its doors. He had not been abroad for seven years—and what changes the renewed contact produced! If the central depths were untouched, hardly a pin-point of surface remained the same. And this was the very place to bring out the completeness of the renewal. The sublimities, the perpetuities, might have left him as he was: but this tent pitched for a day’s revelry spread a roof of oblivion between himself and his fixed sky. It was mid-April, and one felt that the revelry had reached its climax and that the desultory groups in the square and gardens would soon dissolve and reform in other scenes. Meanwhile the last moments of the performance seemed to gain an added brightness from the hovering threat of the curtain. The quality of the air, the exuberance of the flowers, the blue intensity of sea and sky, produced the effect of a closing TABLEAU, when all the lights are turned on at once. This impression was presently heightened by the way in which a consciously conspicuous group of people advanced to the middle front, and stood before Selden with the air of the chief performers gathered together by the exigencies of the final effect. Their appearance confirmed the impression that the show had been staged regardless of expense, and emphasized its resemblance to one of those “costume-plays” in which the protagonists walk through the passions without displacing a drapery. The ladies stood in unrelated attitudes calculated to isolate their effects, and the men hung about them as irrelevantly as stage heroes whose tailors are named in the programme. It was Selden himself who unwittingly fused the group by arresting the attention of one of its members. “Why, Mr. Selden!” Mrs. Fisher exclaimed in surprise; and with a gesture toward Mrs. Jack Stepney and Mrs. Wellington Bry, she added plaintively: “We’re starving to death because we can’t decide where to lunch.”