New York (N.Y.) -- Fiction; Psychological fiction; Single women -- Fiction; Social classes -- Fiction
Trenor sulkily yielded his place, and Lily turned a brilliant smile
on the newcomer. She had not talked with Dorset since their visit
at Bellomont, but something in his look and manner told her that
he recalled the friendly footing on which they had last met. He
was not a man to whom the expression of admiration came easily:
his long sallow face and distrustful eyes seemed always barricaded
against the expansive emotions. But, where her own influence was
concerned, Lily’s intuitions sent out thread-like feelers, and as
she made room for him on the narrow sofa she was sure he found a
dumb pleasure in being near her. Few women took the trouble to
make themselves agreeable to Dorset, and Lily had been kind to him
at Bellomont, and was now smiling on him with a divine renewal of
kindness.
“Well, here we are, in for another six months of caterwauling,”
he began complainingly. “Not a shade of difference between this
year and last, except that the women have got new clothes and the
singers haven’t got new voices. My wife’s musical, you know—puts me
through a course of this every winter. It isn’t so bad on Italian
nights—then she comes late, and there’s time to digest. But when
they give Wagner we have to rush dinner, and I pay up for it. And
the draughts are damnable—asphyxia in front and pleurisy in the
back. There’s Trenor leaving the box without drawing the curtain!
With a hide like that draughts don’t make any difference. Did you
ever watch Trenor eat? If you did, you’d wonder why he’s alive; I
suppose he’s leather inside too.—But I came to say that my wife
wants you to come down to our place next Sunday. Do for heaven’s
sake say yes. She’s got a lot of bores coming—intellectual ones,
I mean; that’s her new line, you know, and I’m not sure it ain’t
worse than the music. Some of ’em have long hair, and they start
an argument with the soup, and don’t notice when things are handed
to them. The consequence is the dinner gets cold, and I have
dyspepsia. That silly ass Silverton brings them to the house—he
writes poetry, you know, and Bertha and he are getting tremendously
thick. She could write better than any of ’em if she chose, and I
don’t blame her for wanting clever fellows about; all I say is:
‘Don’t let me see ’em eat!’”
The gist of this strange communication gave Lily a distinct thrill
of pleasure. Under ordinary circumstances, there would have been
nothing surprising in an invitation from Bertha Dorset; but since
the Bellomont episode an unavowed hostility had kept the two women
apart. Now, with a start of inner wonder, Lily felt that her thirst
for retaliation had died out. IF YOU WOULD FORGIVE YOUR ENEMY,
says the Malay proverb, FIRST INFLICT A HURT ON HIM; and Lily was
experiencing the truth of the apothegm. If she had destroyed Mrs.
Dorset’s letters, she might have continued to hate her; but the
fact that they remained in her possession had fed her resentment to
satiety.
Public-domain text, read in full here on John Shaqi.
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