The House of Mystery: An Episode in the Career of Rosalie Le Grange, ClairvoyantIrwin, Will
General
The House of Mystery: An Episode in the Career of Rosalie Le Grange, Clairvoyant
Irwin, Will
Clairvoyants -- Fiction; Detective and mystery stories
He had greeted this little note with all the private follies of lovers.
Now for the hundredth time, he studied it for significances, signs,
pretty intimacies; and he found positively nothing about it which he
did not like. True, he failed to extract any important information
from the name of the stationer, which he found under the flap of the
envelope; but on the other hand the paper itself distinctly pleased
him. It was note-size and of a thick, unfeminine quality. He approved
of the writing--small, fine, legible, without trace of seminary
affectation. And his spirits actually rose when he observed that it
bore no coat-of-arms--not even a monogram.
At last, with more flourishes of folly, he put the note away in his
desk and inspected himself in the glass. To the credit of his modesty,
he was thinking not of his white tie--fifth that he had ruined in the
process of dressing--nor yet of the set of his coat. He was thinking
of Mrs. Paula Markham and the impression which these gauds and graces
might make upon her.
"What do you suppose she's like?" he asked inaudibly of the correct
vision in the glass.
He had exhausted all the possibilities--a fat, pretentious medium whom
Annette's mind transformed by the alchemy of old affection into a
presentable personage; a masculine and severe old woman with the
"spook" look in her eyes; a fluttering, affected _precieuse_,
concealing her quackery by chatter. Gradually as he thought on her, the
second of these hypotheses came to govern--he saw her as the severe and
masculine type. This being so, what tack should she take?
The correct vision in the glass vouchsafed no answer to this. His mood
persisted as his taxicab whirled him into the region which borders the
western edge of Central Park. The thing assumed the proportions of a
great adventure. No old preparation for battle, no old packings to
break into the unknown dark, had ever given him quite such a sense of
the high, free airs where romance blows. He was going on a mere
conventional call; but he was going also to high and thrilling
possibilities.
The house was like a thousand other houses of the prosperous middle
class, distinguishable only by minor differences of doors and steps and
area rails, from twenty others on the same block. He found himself
making mystery even of this. Separate houses in New York require
incomes.
"Evidently it pays to deal in spooks," he said to himself.
Public-domain text, read in full here on John Shaqi.
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