The House of Mystery: An Episode in the Career of Rosalie Le Grange, ClairvoyantIrwin, Will
General
The House of Mystery: An Episode in the Career of Rosalie Le Grange, Clairvoyant
Irwin, Will
Clairvoyants -- Fiction; Detective and mystery stories
"Don't be afraid--I'm not goin' to yet. Gettin' the place was easy. You
want a housekeeper stupid and respectable; I was all that. I was
bothered, before I got started, to get the letters of recommendation,
but I got 'em--never mind how. And they were good, too. I'm Mrs.
Granger, as I told you, and I'm a widow. So I took the place away from
a Swede, an Irishwoman, and a French ginny. Right at the start, I found
a line on Mrs. Markham. When she was alone with me, after we come to
terms, she was just as kind and good as any lady in the land. I don't
suppose that means anythin' to you, but it did to me. Big fakirs and
crooks just live their lives in terror, afraid of their own shadows.
They've got to be sweet and kind on the outside, and so they take out
their crossness and irritation on the help. I'd rather be keeper in an
asylum than cook to a burglar. But Mrs. Markham was _fine_--and no airs
and no softness. If the spirit ever hallowed a face, it's hers. I know
you don't like her, and you can't be blamed--her keeping your little
girl from you! But you must have noticed her voice, how pretty it is if
she _does_ talk English fashion. Now that was my first sight into her.
Whatever she's done, she's never done materializin', which is just
where pure, proved fakin' begins. It's as soft as a girl's. It wouldn't
be if she'd worked up her voices for men controls. I've been
complimented on my voice myself, but you must have noticed the way it
slides down and gits deep every little while. That's left to show I did
materializin' in St. Paul; and I'm ashamed of it, too. My, how I wander
around in Robin Hood's barn! But I'm full of it."
"Tell me everything," he said, "and in your own way."
"'You know my profession?' says Mrs. Markham.
"'No, Ma'am,' says I.
"'I'm a religious teacher, in a way,' says she. 'A medium if you care
to call it that. I prefer another name.'
"'A medium!' says I. 'My! I was to a medium last week!'
"Perhaps you don't see why I done that. 'T was to give her an opening.
First move, when you're fakin' on a big scale, is to make dopes out of
your servants. Git 'em to swallow the whole thing; then find the yellow
spot, work it, and pull 'em into your fakin'. But she never followed
the lead, even so much as to seem interested. 'Indeed?' says she.
'Well, I see only a few callers, and usually in the evening. I'm a
little particular about bein' disturbed at such times, and I must ask
you not to come below the top floor on such evenings. Ellen, the parlor
maid, always sits by the front door to answer the bell.' That was a
relief. I was afraid I'd have to answer bells, which would have been
risky. Dopes that follow big mediums go to little ones sometimes; there
was a chance that I'd let in one of my own sitters and be recognized.
And the arrangement didn't look faky to me as it may to you; for a
fact, you're just a bundle of nerves when you're coming in and out of
real control.
Public-domain text, read in full here on John Shaqi.
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