The House of Mystery: An Episode in the Career of Rosalie Le Grange, ClairvoyantIrwin, Will
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The House of Mystery: An Episode in the Career of Rosalie Le Grange, Clairvoyant
Irwin, Will
Clairvoyants -- Fiction; Detective and mystery stories
"Now that you have apologized," said she, "I will prove that I have
accepted the apology by answering you direct. I am not a fraud. I have
been able to afford not to be. Still, I have a little sympathy with
those who are. Did you ever consider," she went on, "that no fraud
invents anything; that he is only imitating something genuine? Perhaps
it may shake whatever faith you have in me if I tell you whatever these
people profess to do has been done genuinely and without possibility of
fraud."
"Even bringing spirits from a cabinet?" he asked. Just as he spoke that
question, an electric bell rang somewhere to the rear of the
drawing-room. Mrs. Markham sat unmoving for an instant, as though
considering either the sound or his question. The bell tinkled no more.
After a moment, she smiled again.
"You must know more of all these things before I can answer your
question. Haven't we talked enough? Wouldn't it be better, in your
present condition of suspicion, if I try to see what we can do without
seeming any further to inspect you? For you must know that long
preliminary conversation is a stock method with frauds and fakirs."
Norcross's breath came a little faster, and a curious change passed for
a second over his face--a falling of all the masses and lines. Mrs.
Markham rose, sat by the table, under the reading-lamp, and shaded her
eyes with her hand. She spoke now in a different tone, softer and less
inflected.
[Illustration: NORCROSS'S BREATH CAME A LITTLE FASTER]
"I shall probably not go into trance," she said. "That is rare with me,
rare with anyone, though often assumed for effect. Of you, I ask only
that you remain quiet and passive. I'd like less light."
Norcross shot a glance of quick suspicion at her as he rose, reached
for the old-fashioned gas chandelier, and turned the jets down to tiny
points.
"Oh, dear no!" spoke Mrs. Markham, "not so low as that--this is no dark
seance. I merely meant that the lights are too strong for a pair of
sensitive eyes. I feel everything when I am in this condition. Would
you mind sitting a little further away? Thank you. I think that's
right. Please do not speak to me until I speak, and do not be
disappointed if I tell you nothing."
For five minutes, no sound broke the silence in Mrs. Markham's
drawing-room, except the hiss of a light, quick breath and the intake
and outgo of a heavier, slower one. And so suddenly, with such
smothered intensity, that Norcross started in his seat, Mrs. Markham's
voice emitted the first quaver of a musical note. She held it for a
moment, before she began to hum over and over three bars of an old
tune--"Wild roamed an Indian maid, bright Alfaretta." Thrice she hummed
it, still sitting with her hand over her eyes.--"Wild roamed an Indian
maid--" Then silence. But now, the breath of Norcross was coming more
heavily, and the masses of his face had still further fallen. After an
interval, Mrs. Markham spoke, in a low, even tone:
"It is Lallie."
Public-domain text, read in full here on John Shaqi.
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