The House of Mystery: An Episode in the Career of Rosalie Le Grange, ClairvoyantIrwin, Will
General
The House of Mystery: An Episode in the Career of Rosalie Le Grange, Clairvoyant
Irwin, Will
Clairvoyants -- Fiction; Detective and mystery stories
"There's one place I can trust your bringin'-up, I guess. When you're
inside, feel about till you find a hassock. Stand on it; 't will bring
your eyes up to the hole. Stay there until I knock for you to come
out--let's be goin'."
"But what am I to do--why am I here if I am to do nothing?"
"You're to look an' see an' remember what you see--that's all for
to-night."
At the door, she looked him full in the eyes again:
"Remember, you've promised."
"I remember."
The dim light of a low gas jet illuminated the upper hall. From below
came the faintest murmur of voices. Rosalie led to the hall of the
second floor, turned toward the back of the house, opened a door and
motioned. He stepped inside; the door closed without noise. He was in
black darkness.
His foot found the hassock; he mounted it and adjusted his eye. He was
looking into some kind of a living-room or boudoir. On the extreme left
of his range of vision he could see a set of dark portières; directly
before him was a foolish little white desk, over which burned a gas
jet, turned low. That, apparently, was the only illumination in the
room. For the rest, he could only see a wall decorated with the tiny
frivolities of a boudoir, two chairs, a sewing table. He watched
until--his eyes, grown accustomed to the dim light--he discerned every
detail. From far below, he heard the subdued hum of a conversation, and
made out at length, in the rise and fall of voices, that a man and a
woman were speaking. Then even that sound ceased; over the house lay a
stillness so heavy that he feared his own breathing.
Gradually, he was aware that someone was playing a piano. It began so
gently that he doubted, at first, whether it was not a far echo from
one of the houses to right or left. But it increased in volume until he
located it definitely in the rooms below. The air, unrecognized at
first, called up a memory of old-fashioned parlors and of his
grandmother. He found himself struggling for words to fit the tune; and
suddenly they sprang into his mind--"Wild roamed an Indian maid, bright
Alfaretta." Thrice over the unseen musician played the air, and let it
die with a last, lingering chord.
Suddenly his heart gave a great leap. For the first time, something was
happening in the room before him. It came first as a slight, padded
thump, like bare feet striking the floor. He saw that the portières to
left of his range of vision were undulating. They parted--and a pillar
of white stood for a moment before them. The thing resolved itself into
a human figure, swathed, draped in white, the face concealed by a white
veil which fell straight from the head. Now the white figure, with a
noiseless, gliding motion, was crossing the room toward the white desk.
It stopped, lifted a hand which crept toward the gaslight. With this
motion, the veil fell away from the face. The gaslight shone upon it;
he could see it in full profile.
It was Annette.
Public-domain text, read in full here on John Shaqi.
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