All his lusty, whole-bodied youth was his, until the sharp pangs of impending dissolution brought him back. He lifted his monstrous hands and gazed at them in wonder. But how? Why? Why should the wholeness of that wild youth of his change to this? Then he remembered, and once again, and for a moment, he was Koolau, the leper. His eyelids fluttered wearily down and the drip of the rain ceased in his ears. A prolonged trembling set up in his body. This, too, ceased. He half-lifted his head, but it fell back. Then his eyes opened, and did not close. His last thought was of his Mauser, and he pressed it against his chest with his folded, fingerless hands. GOOD-BYE, JACK Hawaii is a queer place. Everything socially is what I may call topsy- turvy. Not but what things are correct. They are almost too much so. But still things are sort of upside down. The most ultra-exclusive set there is the "Missionary Crowd." It comes with rather a shock to learn that in Hawaii the obscure martyrdom-seeking missionary sits at the head of the table of the moneyed aristocracy. But it is true. The humble New Englanders who came out in the third decade of the nineteenth century, came for the lofty purpose of teaching the kanakas the true religion, the worship of the one only genuine and undeniable God. So well did they succeed in this, and also in civilizing the kanaka, that by the second or third generation he was practically extinct. This being the fruit of the seed of the Gospel, the fruit of the seed of the missionaries (the sons and the grandsons) was the possession of the islands themselves,--of the land, the ports, the town sites, and the sugar plantations: The missionary who came to give the bread of life remained to gobble up the whole heathen feast. But that is not the Hawaiian queerness I started out to tell. Only one cannot speak of things Hawaiian without mentioning the missionaries. There is Jack Kersdale, the man I wanted to tell about; he came of missionary stock. That is, on his grandmother's side. His grandfather was old Benjamin Kersdale, a Yankee trader, who got his start for a million in the old days by selling cheap whiskey and square-face gin. There's another queer thing. The old missionaries and old traders were mortal enemies. You see, their interests conflicted. But their children made it up by intermarrying and dividing the island between them. Life in Hawaii is a song. That's the way Stoddard put it in his "Hawaii Noi":-- "Thy life is music--Fate the notes prolong! Each isle a stanza, and the whole a song."