The House of Quiet: An AutobiographyBenson, Arthur Christopher
General
The House of Quiet: An Autobiography
Benson, Arthur Christopher
Country life -- England -- Fiction; English fiction -- 20th century; Invalids -- Fiction
Church was always a pleasure to me; I liked the _mise-en-scène_, the
timbered roof, the fallen day, the stained glass, the stone pillars, the
comfortable pew, the rubricated prayer-book, the music, the movements of
the minister—these all had a definite æsthetic effect upon me; moreover,
it was a pleasure to note, with the unshrinking gaze of childhood, the
various delightful peculiarities of members of the congregation: the
old man with apple-red cheeks, in his smock-frock, who came with rigid,
creaking boots to his place; the sexton, with his goat-like beard; the
solicitor, who emitted sounds in the hymns like the lowing of a cow; the
throaty tenor, who had but one vowel for all; the dowager in purple silk,
who sat through the Psalms and inspected her prayer-book through a gold
eye-glass as though she were examining some natural curiosity. All these
were, in childish parlance, “so funny.” And Church was thus a place to
which I went willingly and joyfully; the activity of my observation saved
me from the tedium with which so many children regard it.
[Sidenote: RELIGIOUS SENTIMENT]
This vacuous æstheticism in the region of religion continued with me
through my school days. Of purpose and principle there was no trace. I
do indeed remember one matter in which I had recourse to prayer. At my
private school, a big suburban establishment, I was thrust into a large
dormitory, a shrinking and bewildered atom, fresh from the privacies and
loving attentions of the nursery, and required to undress and go to bed
before the eyes of fifty boys. It was a rude introduction to the world,
and it is strange to reflect upon the helpless despair with which a
little soul can be filled under circumstances which to maturer thoughts
appear almost idyllic. But while I crouched miserably upon my bed, as
I prepared to slip between the sheets—of which the hard texture alone
dismayed me—I was struck by a shoe, mischievously, but not brutally
thrown by a bigger boy some yards away. Is it amusing or pathetic to
reflect that night after night I prayed that this might not be repeated,
using a suffrage of the Litany about our persecutors and slanderers,
which seemed to me dismally appropriate?
At the public school to which I was shortly transferred, where I enjoyed
a tranquil and uneventful existence, religion was still a sentiment.
Being one of the older foundations we had a paid choir, and the musical
service was a real delight to me. I loved the dark roof and the thunders
of the organ; even now I can recollect the thrill with which I looked
day after day at the pure lines of the Tudor building, the innumerable
clustered shafts that ran from pavement to roof. I cared little for the
archæology and history of the place, but the grace of antiquity, the
walls of mellow brick, the stone-crop that dripped in purple tufts among
the mouldering stones of the buttress, the very dust that clung to the
rafters of the ancient refectory—all these I noted with secret thrills of
delight.
Public-domain text, read in full here on John Shaqi.
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