The House of Quiet: An AutobiographyBenson, Arthur Christopher
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The House of Quiet: An Autobiography
Benson, Arthur Christopher
Country life -- England -- Fiction; English fiction -- 20th century; Invalids -- Fiction
It had been like any other day. I had been to the dreary morning
service, read huskily by a few shivering mortals in the chilly chapel;
I had worked, walked in the afternoon with a friend, and we had talked
of our plans—all we meant to do and be. After hall, I went to have
some coffee in the rooms of a mild and amiable youth, now a church
dignitary in the Colonies. I sat, I remember, on a deep sofa, which I
afterwards bought and still possess. Our host carelessly said that a
great Revivalist was to address a meeting that night. Some one suggested
that we should go. I laughingly assented. The meeting was held in a
hall in a side street; we went smiling and talking, and took our places
in a crowded room. The first item was the appearance of an assistant,
who accompanied the evangelist as a sort of precentor—an immense
bilious man, with black hair, and eyes surrounded by flaccid, pendent,
baggy wrinkles—who came forward with an unctuous gesture, and took his
place at a small harmonium, placed so near the front of the platform
that it looked as if both player and instrument must inevitably topple
over; it was inexpressibly ludicrous to behold. Rolling his eyes in an
affected manner, he touched a few simple cords, and then a marvellous
transformation came over the room. In a sweet, powerful voice, with an
exquisite simplicity combined with irresistible emotion, he sang “There
were Ninety-and-Nine.” The man was transfigured. A deathly hush came over
the room, and I felt my eyes fill with tears; his physical repulsiveness
slipped from him, and left a sincere impulsive Christian, whose simple
music spoke straight to the heart.
Then the preacher himself—a heavy-looking, commonplace man, with a sturdy
figure and no grace of look or gesture—stepped forward. I have no
recollection how he began, but he had not spoken half-a-dozen sentences
before I felt as though he and I were alone in the world. The details of
that speech have gone from me. After a scathing and indignant invective
on sin, he turned to draw a picture of the hollow, drifting life, with
feeble, mundane ambitions—utterly selfish, giving no service, making
no sacrifice, tasting the moment, gliding feebly down the stream of
time to the roaring cataract of death. Every word he said burnt into my
soul. He seemed to me to probe the secrets of my innermost heart; to
be analysing, as it were, before the Judge of the world, the arid and
pitiful constituents of my most secret thought. I did not think I could
have heard him out ... his words fell on me like the stabs of a knife.
Then he made a sudden pause, and in a peroration of incredible dignity
and pathos he drew us to the feet of the crucified Saviour, showed us the
bleeding hand and the dimmed eye, and the infinite heart behind. “Just
_accept_ Him,” he cried; “in a moment, in the twinkling of an eye, you
may be His—nestling in His arms—with the burden of sin and selfishness
resting at His feet.”
[Sidenote: WOUNDED DEEP]
Public-domain text, read in full here on John Shaqi.
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