The House of Quiet: An AutobiographyBenson, Arthur Christopher
General
The House of Quiet: An Autobiography
Benson, Arthur Christopher
Country life -- England -- Fiction; English fiction -- 20th century; Invalids -- Fiction
Meanwhile I lived a lonely sort of life, with two or three close
intimates. I never really cared for London, but it is at the same time
idle to deny its fascination. In the first place it is full from day to
day of prodigious, astounding, unexpected beauties—sometimes beauty on
a noble scale, in the grand style, such as when the sunset shakes its
hair among ragged clouds, and the endless leagues of house-roofs and the
fronts of town palaces dwindle into a far-off steely horizon-line under
the huge and wild expanse of sky. Sometimes it is the smaller, but no
less alluring beauty of subtle atmospherical effects; and so conventional
is the human appreciation of beauty that the constant presence, in these
London pictures, of straight framing lines, contributed by house-front
and street-end, is an aid to the imagination. Again, there is the beauty
of contrasts; the vignettes afforded by the sudden blossoming of rustic
flowers and shrubs in unexpected places; the rustle of green leaves at
the end of a monotonous street. And then, apart from natural beauty,
there is the vast, absorbing, incredible pageant of humanity, full of
pathos, of wistfulness, and of sweetness. But of this I can say but
little; for it always moved me, and moves me yet, with a sort of horror.
I think it was always to me a spectacular interest; I never felt _one_
with the human beings whom I watched, or even in the same boat, so to
speak, with them; the contemplation of the fact that I am one of so
many millions has been to me a humiliating rather than an inspiring
thought; it dashes the pleasures of individuality; it arraigns the soul
before a dark and inflexible bar. Passing daily through London, there
is little possibility in the case of an imaginative man for hopeful
expansion of the heart, little ground for anything but an acquiescent
acceptance. Under these conditions it is too rudely brought home to me
to be wholesome, how ineffective, undistinguished, typical, minute,
uninteresting any one human being is after all: and though the sight of
humanity in every form is attractive, bewildering, painfully interesting,
thrilling, and astounding—though one finds unexpected beauty and goodness
everywhere—yet I recognise that city life had a deadening effect on my
consciousness, and hindered rather than helped the development of thought
and life.
[Sidenote: THE ARTIST]
Public-domain text, read in full here on John Shaqi.
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