The House of Quiet: An AutobiographyBenson, Arthur Christopher
General
The House of Quiet: An Autobiography
Benson, Arthur Christopher
Country life -- England -- Fiction; English fiction -- 20th century; Invalids -- Fiction
life; but mind that any work you do must be of the nature of amusement.
Once and for all, _strain_ of any sort is out of the question, and if
you indulge in any excessive or exciting exertions, you will inevitably
shorten your life. There, I have told you a disagreeable truth—make the
best of it—remember that I see many people every week who have to bear
far more distressing communications. You had better come to see me
every three months, unless you have any marked symptoms, such as”—(there
followed medical details with which I need not trouble the reader)—“in
that case come to me at once; but I tell you plainly that I do not
anticipate them. You seem to have what I call the patient temperament—to
have a vocation, if I may say so,” (here he smiled benevolently) “for the
invalid life.” He rose as he spoke, shook hands kindly, and opened the
door.
15
[Sidenote: NEW PERCEPTIONS]
I will confess that at first this communication was a great shock to
me; I was for a time bewildered and plunged into a deep dejection. To
say farewell to the bustle and activity of life—to be laid aside on a
shelf, like a cracked vase, turning as far as possible my ornamental
front to the world, spoilt for homely service. To be relegated to
the failures; to be regarded and spoken of as an invalid—to live the
shadowed life, a creature of rules and hours, fretting over drugs and
beef tea—a degrading, a humiliating rôle. I admit that the first weeks
of my enforced retirement were bitter indeed. The perpetual fret of
small restrictions had at first the effect of making me feel physically
and mentally incapable. Only very gradually did the sad cloud lift. The
first thing that came to my help was a totally unexpected feeling. When
I had got used to the altered conditions of life, when I found that the
regulated existence had become to a large extent mechanical, when I had
learnt to decide instinctively what I could attempt and what I must leave
alone, I found my perceptions curiously heightened and intensified by the
shadowy background which enveloped me. Sounds and sights thrilled me in
an unaccustomed way—the very thought, hardly defined, but existing like
a quiet subconsciousness, that my tenure of life was certainly frail,
and might be brief, seemed to bring out into sharp relief the simple
and unnoticed sensations of ordinary life. The pure gush of morning air
through the opened casement, the delicious coolness of water on the
languid body, the liquid song of birds, the sprouting of green buds
upon the hedge, the sharp and aromatic scent of rosy larch tassels, the
monotonous babble of the stream beneath its high water plants, the pearly
laminæ of the morning cloudland, the glowing wrack of sunset with the
liquid bays of intenser green—all these stirred my spirit with an added
value of beauty, an enjoyment at once passionate and tranquil, as though
they held some whispered secret for the soul.
Public-domain text, read in full here on John Shaqi.
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