I sit this evening, towards the end of the year, in a deep arm-chair in a large, low panelled room that serves me as bedroom and study together: the windows are hung with faded tapestry curtains; there is a great open tiled fireplace before me, with logs red-crumbling, bedded in grey ash, every now and then winking out flame and lighting up the lean iron dogs that support the fuel; odd Dutch tiles pave and wall the cavernous hearth—this one a quaint galleon in full sail on a viscous, crested sea; that, a stout sleek bird standing in complacent tranquillity; at the back of the hearth, with the swift shadows flickering over it, is a large iron panel showing a king in a war chariot, with a flying cloak, issuing from an arched portal, upon a bridge which spans a furious stream, and shaking out the reins of two stamping steeds; on the high chimney-board is a row of Delft plates. The room is furnished with no precision or propriety, the furniture having drifted in fortuitously as it was needed: here is a tapestried couch; there an oak bookcase crammed with a strange assortment of books; here a tall press; a picture or two—a bishop embedded in lawn with a cauliflower wig; a crayon sketch of a scholarly head. There is no plan of decoration—all fantastic miscellany. At the far end, under an arch of oak, stands a bed, screened from the room by a dark leather screen. Outside, all is unutterably still, not with the stillness that sometimes falls on a sleeping town, where the hush seems invaded by imperceptible cries, but with the deep tranquillity of the country-side nestling down into itself. The trees are silent. Listening intently, I can hear the trickle of the mill-leat, and the murmur of the hazel-hidden stream; but that slumbrous sound ministers, as it were, the dreamful quality, like the breathing of the sleeper—enough, and not more than enough, to give the sense of sleeping life, as opposed to the aching, icy stillness of death. 2 [Sidenote: EARLY DAYS]