The House of Quiet: An AutobiographyBenson, Arthur Christopher
General
The House of Quiet: An Autobiography
Benson, Arthur Christopher
Country life -- England -- Fiction; English fiction -- 20th century; Invalids -- Fiction
The man himself was a student of history: he never wrote, except a few
marginal notes in his books. He was totally ignorant of what was going
on, took in no papers, and asked no questions as to current events. He
received no letters, and the only parcels that came to him were boxes
of books from a London library—memoirs, historical treatises, and
biographies of the last century. I take it he had a minute knowledge
of the social and political life of England up to the beginning of the
present century; he received no one but Mr. Woodward who saw him two or
three times a year, and it was with Mr. Woodward that I went, making the
excuse (which was actually the case) that some literary work that I was
doing was suspended for want of books.
We were shown in; he did not rise to receive us, but greeted us with
extreme cordiality, and an old-fashioned kind of courtesy, absolutely
without embarrassment. He was a tall, thin man, with a fair complexion,
and straggling hair and beard. He seemed to be in excellent health; and I
learnt that in the matter of food and drink he was singularly abstemious,
which accounted for his clear complexion and brilliant eye. He smoked in
moderation a very fragrant tobacco of which he gave me a small quantity,
but refused to say where he obtained it. There was an air of infinite
contentment about him. He seemed to me to hope for nothing and expect
nothing from life; to live in the moment and for the moment. If ever I
saw serene happiness written on a face in legible characters, it was
there. He talked a little on theological points, with an air of gentle
good-humour, to Mr. Woodward, somewhat as you might talk to a child, with
amiable interest in the unexpected cleverness of its replies; he gave me
the information I requested clearly and concisely but with no apparent
zest, and seemed to have no wish to dwell on the subject or to part with
his store of knowledge.
His one form of exercise was long vague walks; in the winter he rarely
left the house except on moonlight nights; but in the summer he was
accustomed to start as soon as it was light, and to ramble, never on the
roads, but by unfrequented field-paths, for miles and miles, generally
returning before the ordinary world was astir. On hot days he would sit
by the stream in a very remote nook beneath a high bank where the water
ran swiftly down a narrow channel, and swung into a deep black pool;
here, I was told, he would stay for hours with his eyes fixed on the
water, lost in some mysterious reverie. I take it he was a poet without
power of expression, and his heart was as clean as a child’s.
[Sidenote: MODERN LIFE]
Public-domain text, read in full here on John Shaqi.
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