The House of Quiet: An AutobiographyBenson, Arthur Christopher
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The House of Quiet: An Autobiography
Benson, Arthur Christopher
Country life -- England -- Fiction; English fiction -- 20th century; Invalids -- Fiction
I took the field-path that wanders aimlessly away below the house; the
water lay in the grass, and the sodden leaves had a bitter smell. The
copses were very bare, and the stream ran hoarse and turbid. The way
wound by fallows and hedges—now threading a steep copse, now along the
silent water-meadows, now through an open forest space, with faggots
tied and piled, or by a cattle byre. Here and there I turned into a
country lane, till at last the village of Spyfield lay before me, with
the ancient church of dark sandstone and the little street of handsome
Georgian houses, very neat and prim—a place, you would think, where every
one went to bed at ten, and where no murmurs of wars ever penetrated.
Just beyond the village, my friend, Mr. Campden, the great artist, has
built himself a palace. It is somewhat rococo, no doubt, with its marble
terrace and its gilded cupolas. But it gleams in the dark hanging wood
with an exotic beauty of its own, as if a Genie had uprooted it from a
Tuscan slope, and planted it swiftly, in an unfamiliar world, in an hour
of breathless labour between the twilight and the dawn. Still, fantastic
as it is, it is an agreeable contrast to the brick-built mansions, with
their slated turrets, that have lately, alas, begun to alight in our
woodlands.
[Sidenote: MR. CAMPDEN]
Mr. Campden is a real prince, a Lorenzo the Magnificent; not only is he
the painter of pictures which command a high price, though to me they
are little more than harmonious wallpaper; but he binds books, makes
furniture, weaves tapestry, and even bakes tiles and pottery; and the
slender minaret that rises from a plain, windowless building on the
right, is nothing but a concealed chimney. Moreover, he inherited through
a relative’s death an immense fortune, so that he is a millionaire as
well. To-day I followed the little steep lane that skirts his domain,
and halted for a moment at a great grille of ironwork, which gives the
passer-by a romantic and generous glimpse of a pleached alley, terminated
by a mysterious leaden statue. I peeped in cautiously, and saw the
great man in a blue suit, with a fur cloak thrown round his shoulders,
a slouched hat set back from his forehead, and a loose red tie gleaming
from his low-cut collar. I was near enough to see his wavy white hair
and beard, his keen eyes, his thin hands, as he paced delicately about,
breathing the air, and looking critically at the exquisite house beyond
him. I am sure of a welcome from Mr. Campden—indeed, he has a princely
welcome for all the world—but to-day I felt a certain simple schoolboy
shyness, which ill accords with Mr. Campden’s Venetian manner. It is
delightful after long rusticity to be with him, but it is like taking
a part in some solemn and affected dance; to Mr. Campden I am the
student-recluse, and to be gracefully bantered accordingly, and asked
a series of questions on matters with which I am wholly unacquainted,
Public-domain text, read in full here on John Shaqi.
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