The House of Quiet: An AutobiographyBenson, Arthur Christopher
General
The House of Quiet: An Autobiography
Benson, Arthur Christopher
Country life -- England -- Fiction; English fiction -- 20th century; Invalids -- Fiction
Again, I have been constantly visited by the same inexplicable sensation
in a certain room at Golden End. The room in question is a great bare
chamber at the top of the house: the walls are plastered, and covered in
all directions by solid warped beams; through the closed and dusty window
the sunlight filters sordidly into the room. I do not know why it has
never been furnished, but I gathered that my father took an unexplained
dislike to the room from the first. The odd feature of it is, that in
the wall at one end is a small door, as of a cupboard, some feet from
the ground, which opens, not as you would expect into a cupboard, but
into a loft, where you can see the tiles, the brickwork of the clustered
chimney-stacks, and the plastered lathwork of the floor, in and below
the joists of the timber. This strange opening can never have been a
window, because the shutter is of the same date as the house; still less
a door, for it is hardly possible to squeeze through it; but as the loft
into which it looks is an accretion of later date than the room itself,
it seems to me that the garret may have been once a granary up to which
sacks were swung from the ground by a pulley; and this is made more
possible by the existence of some iron staples on the outer side of it,
that appear to have once controlled some simple mechanism.
[Sidenote: THE EVIL ROOM]
The room is now a mere receptacle for lumber, but it is strange that all
who enter it, even the newest inmate of the house, take an unaccountable
dislike to the place. I have myself struggled against the feeling; I
once indeed shut myself up there on a sunny afternoon, and endeavoured
to shame myself by pure reason out of the disagreeable, almost physical
sensation that at once came over me, but all in vain; there was something
about the bare room, with its dusty and worm-eaten floor, the hot
stagnant air, the floating motes in the stained sunlight, and above
all the sinister little door, that gave me a discomfort that it seems
impossible to express in speech. My own room must have been the scene
of many a serious human event. Sick men must have lain there; hopeless
prayers must have echoed there; children must have been born there, and
souls must have quitted their shattered tenement beneath its ancient
panels. But these have after all been normal experiences; in the other
room, I make no doubt, some altogether abnormal event must have happened,
something of which the ethereal aroma, as of some evil, penetrating acid,
must have bitten deep into wall and floor, and soaked the very beam of
the roof with anxious and disturbed oppression. In feverish fancy I see
strange things enact themselves; I see at the dead of night pale heads
crane from the window, oppressive silence hold the room, as some dim
and ugly burden jerks and dangles from the descending rope, while the
rude gear creaks and rustles, and the vane upon the cupola sings its
melancholy rusty song in the glimmering darkness.
Public-domain text, read in full here on John Shaqi.
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