The House of Quiet: An AutobiographyBenson, Arthur Christopher
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The House of Quiet: An Autobiography
Benson, Arthur Christopher
Country life -- England -- Fiction; English fiction -- 20th century; Invalids -- Fiction
There is a place near Golden End where I encountered a singular
experience. I own that I never pass it now without some obsession
of feeling; indeed, I will confess that when I am alone I take a
considerable circuit to avoid the place. An ancient footway, trodden deep
in a sandy covert, winds up through a copse, and comes out into a quiet
place far from the high-road, in the heart of the wood. Here stands a
mouldering barn, and there are two or three shrubs, an escalonia and a
cypress, that testify to some remote human occupation. There is a stretch
of green sward, varied with bracken, and on the left a deep excavation,
where sand has been dug: in winter, a pool; in summer, a marshy place
full of stiff, lush water-plants. In this place, time after time as I
passed it, there seemed to be a strange silence. No bird seemed to sing
here, no woodland beast to frisk here; a secret shame or horror rested
on the spot. It was with no sense of surprise, but rather of resolved
doubt, that I found, one bright morning, two labouring men bent over
some object that lay upon the ground. When they saw me, they seemed at
first to hesitate, and then asked me to come and look. It was a spectacle
of singular horror: they had drawn from the marshy edge of the pool
the tiny skeleton of a child, wrapped in some oozy and ragged cloths;
the slime dripping from the eyeless cavities of the little skull, and
the weeds trailing over the unsightly cerements. It had caught the eye
of one of them as they were passing. “The place has always had an evil
name,” said one of them with a strange solemnity. There had been a house
there, I gathered, inhabited by a mysterious evil family, a place of
dark sin and hideous tradition. The stock had dwindled down to a wild
solitary woman, who extracted a bare sustenance out of a tiny farm, and
who alternated long periods of torpid gloom with disgusting orgies of
drunkenness. Thirty years ago she had died, and the farm had remained
so long unlet that it was at last pulled down, and the land planted
with wood. Subsequent investigations revealed nothing; and the body had
lain there, it was thought, for fully that time, preserved from decay
by an iron-bound box in which it had been enclosed, and of which some
traces still remained in reddish smears of rust and clotted nails. That
picture—the sunlit morning, the troubled faces of the men, the silent
spectatorial woods—has dwelt with me ineffaceably.
[Sidenote: OBSESSION]
Public-domain text, read in full here on John Shaqi.
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