“You struck me. Do you hear?” continues the other, still shaking his dear friend. “You are the only man in the world I care for; but you shall not take a liberty with me.” “Confess, my dear fellow,” replies the secretary, “that all this is the result of too much drink.” The corpulent friend falls back with a stagger, looks stupidly with his drunken eyes at the secretary, and suddenly, with all his might, sends his fist into the secretary’s thin face. Thus terminates the day’s friendship. The dear friend disappears beneath the camp-bedstead unconscious. One of my acquaintances enters the barracks. He is a convict of the special section, very good-natured, and gay, far from stupid, and jocular without malice. He is the man who, on my arrival at the convict prison, was looking out for a rich peasant, who spoke so much of his self-respect, and ended by drinking my tea. He was forty years old, had enormous lips, and a fat, fleshy, red nose. He held a balalaika, and struck negligently its strings. He was followed by a little convict, with a large head, whom I knew very little, and to whom no one paid any attention. Now that he was drunk he had attached himself to Vermaloff, and followed him like his shadow, at the same time gesticulating and striking with his fist the wall and the camp-bedsteads. He was almost in tears. Vermaloff did not notice him any more than if he had not existed. The most curious point was that these two men in no way resembled one another, neither by their occupations nor by their disposition. They belonged to different sections, and lived in separate barracks. The little convict was named Bulkin. Vermaloff smiled when he saw me seated by the stove. He stopped at some distance from me, reflected for a moment, tottered, and then came towards me with an affected swagger. Then he swept the strings of his instrument, and sung, or recited, tapping at the same time with his boot on the ground, the following chant: My darling! With her full, fair face, Sings like a nightingale; In her satin dress, With its brilliant trimming, She is very fair. This song excited Bulkin in an extraordinary manner. He agitated his arms, and shrieked out to every one: “He lies, my friends; he lies like a quack doctor. There is not a shadow of truth in what he sings.” “My respects to the venerable Alexander Petrovitch,” said Vermaloff, looking at me with a knowing smile. I fancied even he wished to embrace me. He was drunk. As for the expression, “My respects to the venerable so-and-so,” it is employed by the common people throughout Siberia, even when addressed to a young man of twenty. To call a man old is a sign of respect, and may amount even to flattery. “Well, Vermaloff, how are you?” I replied. “So, so. Nothing to boast of. Those who really enjoy the holiday have been drinking since early morning.” Vermaloff did not speak very distinctly.