_Kedril, the Glutton_, was now to be played. Kedril is a sort of Don Juan. This comparison may justly be made, for the master and the servant are both carried away by devils at the end of the piece; and the piece, as the convicts had it, was played quite correctly; but the beginning and the end must have been lost, for it had neither head nor tail. The scene is laid in an inn somewhere in Russia. The innkeeper introduces into a room a nobleman wearing a cloak and a battered round hat; the valet, Kedril, follows his master; he carries a valise, and a fowl rolled up in blue paper; he wears a short pelisse and a footman’s cap. It is this fellow who is the glutton. The convict Potsiakin, the rival of Baklouchin, played this part, while the part of the nobleman was filled by Ivanoff, the same who played the great lady in the first piece. The innkeeper (Nietsvitaeff) warns the nobleman that the room is haunted by demons, and goes away; the nobleman is interested and preoccupied; he murmurs aloud that he has known that for a long time, and orders Kedril to unpack his things and to get supper ready. Kedril is a glutton and a coward. When he hears of devils he turns pale and trembles like a leaf; he would like to run away, but is afraid of his master; besides, he is hungry, he is voluptuous, he is sensual, stupid, though cunning in his way, and, as before said, a poltroon; he cheats his master every moment, though he fears him like fire. This type of servant is a remarkable one in which may be recognised the principal features of the character of Leporello, but indistinct and confused. The part was played in really superior style by Potsiakin, whose talent was beyond discussion, surpassing as it did in my opinion that of Baklouchin himself. But when the next day I spoke to Baklouchin I concealed my impression from him, knowing that it would give him bitter pain.