“It is ready now,” replies Kedril boldly, when all at once he perceives that there is scarcely anything left. Nothing remains but one leg. The master, still sombre and pre-occupied, notices nothing, and takes his seat, while Kedril places himself behind him with a napkin on his arm. Every word, every gesture, every grimace from the servant, as he turns towards the audience to laugh at his master’s expense, excites the greatest mirth among the convicts. Just at the moment when the young nobleman begins to eat, the devils arrive. They resemble nothing human or terrestrial. The side-door opens, and the phantom appears dressed entirely in white, with a lighted lantern in lieu of a head, and with a scythe in its hand. Why the white dress, scythe, and lantern? No one could tell me, and the matter did not trouble the convicts. They were sure that this was the way it ought to be done. The master comes forward courageously to meet the apparitions, and calls out to them that he is ready, and that they can take him. But Kedril, as timid as a hare, hides under the table, not forgetting, in spite of his fright, to take a bottle with him. The devils disappear, Kedril comes out of his hiding-place, and the master begins to eat his fowl. Three devils enter the room, and seize him to take him to hell. “Save me, Kedril,” he cries. But Kedril has something else to think of. He has now with him in his hiding-place not only the bottle, but also the plate of fowl and the bread. He is now alone. The demons are far away, and his master also. Kedril gets from under the table, looks all round, and suddenly his face beams with joy. He winks, like the rogue he is, sits down in his master’s place, and whispers to the audience: “I have now no master but myself.” Every one laughs at seeing him masterless; and he says, always in an under-tone and with a confidential air: “The devils have carried him off!” The enthusiasm of the spectators is now without limits. The last phrase was uttered with such roguery, with such a triumphant grimace, that it was impossible not to applaud. But Kedril’s happiness does not last long. Hardly has he taken up the bottle of wine, and poured himself out a large glass, which he carries to his lips, than the devils return, slip behind, and seize him. Kedril howls like one possessed, but he dare not turn round. He wishes to defend himself, but cannot, for in his hands he holds the bottle and the glass, from which he will not separate. His eyes starting from his head, his mouth gaping with horror, he remains for a moment looking at the audience with a comic expression of cowardice that might have been painted. At last he is dragged, carried away. His arms and legs are agitated in every direction, but he still sticks to his bottle. He also shrieks, and his cries are still heard when he has been carried from the stage.