The monkey, meanwhile, with a thick tail curling out into preposterous
prolixity from beneath his tartans, took his station at the Italian’s
feet. He turned a wrinkled and abominable little visage to every
passer-by, and to the circle of children that soon gathered round, and
to Hepzibah’s shop-door, and upward to the arched window, whence Phœbe
and Clifford were looking down. Every moment, also, he took off his
Highland bonnet, and performed a bow and scrape. Sometimes, moreover,
he made personal application to individuals, holding out his small
black palm, and otherwise plainly signifying his excessive desire for
whatever filthy lucre might happen to be in anybody’s pocket. The mean
and low, yet strangely man-like expression of his wilted countenance;
the prying and crafty glance, that showed him ready to gripe at every
miserable advantage; his enormous tail (too enormous to be decently
concealed under his gabardine), and the deviltry of nature which it
betokened,—take this monkey just as he was, in short, and you could
desire no better image of the Mammon of copper coin, symbolizing the
grossest form of the love of money. Neither was there any possibility
of satisfying the covetous little devil. Phœbe threw down a whole
handful of cents, which he picked up with joyless eagerness, handed
them over to the Italian for safekeeping, and immediately recommenced a
series of pantomimic petitions for more.
Doubtless, more than one New-Englander—or, let him be of what country
he might, it is as likely to be the case—passed by, and threw a look at
the monkey, and went on, without imagining how nearly his own moral
condition was here exemplified. Clifford, however, was a being of
another order. He had taken childish delight in the music, and smiled,
too, at the figures which it set in motion. But, after looking awhile
at the long-tailed imp, he was so shocked by his horrible ugliness,
spiritual as well as physical, that he actually began to shed tears; a
weakness which men of merely delicate endowments, and destitute of the
fiercer, deeper, and more tragic power of laughter, can hardly avoid,
when the worst and meanest aspect of life happens to be presented to
them.
Public-domain text, read in full here on John Shaqi.
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