Pyncheon Street was sometimes enlivened by spectacles of more imposing
pretensions than the above, and which brought the multitude along with
them. With a shivering repugnance at the idea of personal contact with
the world, a powerful impulse still seized on Clifford, whenever the
rush and roar of the human tide grew strongly audible to him. This was
made evident, one day, when a political procession, with hundreds of
flaunting banners, and drums, fifes, clarions, and cymbals,
reverberating between the rows of buildings, marched all through town,
and trailed its length of trampling footsteps, and most infrequent
uproar, past the ordinarily quiet House of the Seven Gables. As a mere
object of sight, nothing is more deficient in picturesque features than
a procession seen in its passage through narrow streets. The spectator
feels it to be fool’s play, when he can distinguish the tedious
commonplace of each man’s visage, with the perspiration and weary
self-importance on it, and the very cut of his pantaloons, and the
stiffness or laxity of his shirt-collar, and the dust on the back of
his black coat. In order to become majestic, it should be viewed from
some vantage point, as it rolls its slow and long array through the
centre of a wide plain, or the stateliest public square of a city; for
then, by its remoteness, it melts all the petty personalities, of which
it is made up, into one broad mass of existence,—one great life,—one
collected body of mankind, with a vast, homogeneous spirit animating
it. But, on the other hand, if an impressible person, standing alone
over the brink of one of these processions, should behold it, not in
its atoms, but in its aggregate,—as a mighty river of life, massive in
its tide, and black with mystery, and, out of its depths, calling to
the kindred depth within him,—then the contiguity would add to the
effect. It might so fascinate him that he would hardly be restrained
from plunging into the surging stream of human sympathies.
Public-domain text, read in full here on John Shaqi.
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